This chapter provides an overview of the figures and conventions in nineteenth-century literature that gave rise to what can be glossed as ‘conspiracy fiction’. Networks, invasion and detection are the tropes to which conspiracy narratives attached themselves, and from which conspiracy fiction developed into genres that are recognisable today. My discussion of these narrative modes also emphasises the importance of the print context of popular fiction and the ‘new journalism’ where ideas of enemies within and without became familiar
Sensation literature refuses to participate in the familiar construction of domesticity as a refuge ...
Newspapers, magazines, and other periodicals reached a peak of cultural influence and financial succ...
This chapter focuses on popular fiction and particularly the crime genre, encompassing both the dete...
This chapter provides an overview of the figures and conventions in nineteenth-century literature th...
This dissertation reconsiders late-nineteenth-century American literary history by showing how Ameri...
Working with Fredric Jameson's understanding of genre as a "formal sedimentation" of an ideology, th...
This book chapter provides a contextual analysis of the first wave of terrorist fiction in British l...
The mechanics of detection and figures with an investigatory function appeared in fictional texts in...
This Master Project presents evidence showing why mystery and detective fiction flourished during th...
This thesis argues that real-life forgery cases significantly shaped the form of Victorian fiction. ...
The “mystery” or “detective” novel originated in the first half of the 19th century, and quickly bec...
This article explores connections between eighteenth/early nineteenth century forms of crime writing...
271 p.Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2000.This study proposes a new way...
AbstractOutlaws, Outcasts, and Criminals of the British Novel, 1800-1850ByRuth Elizabeth BaldwinDoct...
Far from being objective entities, literary genres should be regarded as cultural constructs, the de...
Sensation literature refuses to participate in the familiar construction of domesticity as a refuge ...
Newspapers, magazines, and other periodicals reached a peak of cultural influence and financial succ...
This chapter focuses on popular fiction and particularly the crime genre, encompassing both the dete...
This chapter provides an overview of the figures and conventions in nineteenth-century literature th...
This dissertation reconsiders late-nineteenth-century American literary history by showing how Ameri...
Working with Fredric Jameson's understanding of genre as a "formal sedimentation" of an ideology, th...
This book chapter provides a contextual analysis of the first wave of terrorist fiction in British l...
The mechanics of detection and figures with an investigatory function appeared in fictional texts in...
This Master Project presents evidence showing why mystery and detective fiction flourished during th...
This thesis argues that real-life forgery cases significantly shaped the form of Victorian fiction. ...
The “mystery” or “detective” novel originated in the first half of the 19th century, and quickly bec...
This article explores connections between eighteenth/early nineteenth century forms of crime writing...
271 p.Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2000.This study proposes a new way...
AbstractOutlaws, Outcasts, and Criminals of the British Novel, 1800-1850ByRuth Elizabeth BaldwinDoct...
Far from being objective entities, literary genres should be regarded as cultural constructs, the de...
Sensation literature refuses to participate in the familiar construction of domesticity as a refuge ...
Newspapers, magazines, and other periodicals reached a peak of cultural influence and financial succ...
This chapter focuses on popular fiction and particularly the crime genre, encompassing both the dete...