Relation between drawing and printmaking

V diplomskem delu sem uvodoma opredelila pojem risbe, predstavila risarske tehnike, vrste in delitev risb po (njenem) namenu, motiviki in izrazu ter izpostavila njene temeljne karakteristike. V nadaljevanju sem predstavila nadaljnjo fazo risbe, v kateri ta postane osnutek za izvedbo v grafiki oz. grafični tehniki. Temu sledi predstavitev drugega izbranega likovnega področja, tj. grafike. Najprej sem definirala pojem grafike ter kasneje opisala grafični tehniki linorez in tehniko mehke prevleke. V nadaljevanju diplomskega dela sem predstavila tudi skice, risbe, osnutke in grafike umetnika Henrija Matissa in analizirala uporabo intervencijskih »dorisanih« risb na grafičnih odtisih Jasperja Johnsa in Williama Kentridgea. Teoretični del sem zaključila s predstavitvijo različnih odnosov med risbo in grafiko. Teoretičnemu delu sledi praktični likovni del, kjer sem preko svojih likovnih del poskušala odgovoriti na zastavljena raziskovalna vprašanja. Glavni cilj diplomskega dela je bil ugotoviti, kakšen je odnos, ki se vzpostavi med risbo in grafiko, katera risba v posameznih fazah deluje kot samostojno umetniško delo ter kako lahko likovni področji risanja in grafike v kombinirani tehniki (z »dorisano« risbo na grafičnem odtisu) pridobita dodatno vrednost.In my thesis, I initially defined the concept of drawing, presented drawing techniques, types and classification of drawings according to its purpose, motifs in its expression and further on highlighted its basic characteristics. I continued with presenting the following stage of a drawing − a draft for execution in two printmaking techniques. Further on I presented another selected artistic field printmaking. First I presented the concept of graphics and later described two of the graphic techniques, linocut and vernis mou. In the following part of my thesis you can find also presented sketches, drawings, drafts and prints of Henri Matisse and analyzed the use of interventional "hand-additional” drawings on art prints of Jasper Johns and William Kentridge. I completed the theoretical part with the presentation of different relations between drawing and printmaking. The theoretical part is followed by the practical part, where I tried to answer the asked research questions through my artwork. The main goal of my thesis was to determine the relation that is established between drawings and printmaking, which drawing in its individual phases can appear as an independent work of art and how can the combination of the artistic fields of drawing and printmaking (with a "hand-additional" drawing on the art prints) gain extra value