Andrews University Theatre Wing (AUTW) performed a fully adapted version of George Bernard Shaw’s play, Pygmalion, on both the 28th and 29th of March, 2015. While directing the production, I attempted to highlight the mutual transformation of Eliza Doolittle, and Professor Henry Higgins. In the essay, I will reflect and detail the ways in which the performance either succeeded or failed in achieving interdisciplinary representation, originality, and effectively communicating specific themes, including: class binaries, beauty, and personal growth and transformation by comparing and contrasting the development of the main characters throughout the production
This project is a sociological comparison and analysis of Pygmalion by George Bernard Shaw and A Str...
Starting from a presentation of English theatre before G. B. Shaw, London intellectual and ideologic...
At the convergence of performance studies and Shavian studies, this thesis explores the staging of S...
Abstract—Seen as a play in the stage of transition, Pygmalion marks Shaw’s returning from his “discu...
Literary works have a relation to human life. Through deeper analysis, literature offers many exper...
Few twentieth-century plays have been adapted into as many media as Bernard Shaw’s Pygmalion. First...
George Bernard Shaw’s Pygmalion is a complex work of art and such a number of themes and ideas stand...
George Bernard Shaw’s Pygmalion is first and foremost a play about voice, particularly about the voi...
George Bernard Shaw’s play Pygmalion depicts a young flower girl’s linguistic and sartorial transfor...
Written by George Bernard Shaw Productions took place October 19-21, 23-27https://ir.library.illinoi...
George Bernard Shaw’s Pygmalion (1912) and its musical adaptation, My Fair Lady (1956) offer 20th ce...
This four-page program details the Curtain Club of Ursinus College’s production of Pygmalion, held D...
George Bernard Shaw was an Irish playwright, critic, polemicist and political activist. His influenc...
An exploration of modern acting techniques applied to a play written for a nineteenth century acting...
Pygmalion, Ovid’s story of the sculptor who falls in love with his own statue, later brought to life...
This project is a sociological comparison and analysis of Pygmalion by George Bernard Shaw and A Str...
Starting from a presentation of English theatre before G. B. Shaw, London intellectual and ideologic...
At the convergence of performance studies and Shavian studies, this thesis explores the staging of S...
Abstract—Seen as a play in the stage of transition, Pygmalion marks Shaw’s returning from his “discu...
Literary works have a relation to human life. Through deeper analysis, literature offers many exper...
Few twentieth-century plays have been adapted into as many media as Bernard Shaw’s Pygmalion. First...
George Bernard Shaw’s Pygmalion is a complex work of art and such a number of themes and ideas stand...
George Bernard Shaw’s Pygmalion is first and foremost a play about voice, particularly about the voi...
George Bernard Shaw’s play Pygmalion depicts a young flower girl’s linguistic and sartorial transfor...
Written by George Bernard Shaw Productions took place October 19-21, 23-27https://ir.library.illinoi...
George Bernard Shaw’s Pygmalion (1912) and its musical adaptation, My Fair Lady (1956) offer 20th ce...
This four-page program details the Curtain Club of Ursinus College’s production of Pygmalion, held D...
George Bernard Shaw was an Irish playwright, critic, polemicist and political activist. His influenc...
An exploration of modern acting techniques applied to a play written for a nineteenth century acting...
Pygmalion, Ovid’s story of the sculptor who falls in love with his own statue, later brought to life...
This project is a sociological comparison and analysis of Pygmalion by George Bernard Shaw and A Str...
Starting from a presentation of English theatre before G. B. Shaw, London intellectual and ideologic...
At the convergence of performance studies and Shavian studies, this thesis explores the staging of S...