Add to ORKGThis Independent Study examines the ways in which directors of the French New Wave and contemporary indie cinema use the figure of the flâneuse and the concept of flânerie in their respective films. Specifically analyzing Agnès Varda\u27s Cléo de 5 Ã 7 (1962), Alain Resnais\u27s Hiroshima mon amour (1959), Sofia Coppola\u27s Lost in Translation (2003), and Cate Shortland\u27s Somersault (2004), this project evaluates themes of female image, identity, movement, and spectatorship that emerge in these “flâneuristic” films
In this study of the impact and influence of the New Wave in French cinema, Douglas Morrey looks at ...
From the precocious charms of Shirley Temple to the box-office behemoth Frozen and its two young fem...
This thesis is a detailed study of the type la Parisienne in cinema. It seeks to expand on existing ...
This interdisciplinary thesis examines Agnès Varda’s inhabitation of the flâneuse in the city space,...
This paper seeks to illustrate the auteurism and the cinematic influences present in Sofia Coppola’s...
UnrestrictedMy dissertation examines the work of French director Agnès Varda in the context of Frenc...
Cacqueray Elisabeth de. Constructions of Women in British Cinema : from Losey/Pinter's Modernism to ...
Contemporary women's cinema in France has developed within a specific context. The persistence of au...
This thesis surveys the origin and development of the female gothic in feature-length fiction films....
This dissertation is an attempt to understand how early twenty-first century French films (2000-2002...
This thesis examines the different ways films have explored female presence as a narrative and styli...
This book opens up the history of twentieth-century French cinema from the silent era to the present...
Contemporary women\u27s cinema in France has developed within a specific context. The persistence of...
Notre recherche vise l’idée et la pratique d’une modernité filmique française intimiste, de nature a...
The appearance and agency of the most prominent of the female characters in Joachim Trier’s films ar...
In this study of the impact and influence of the New Wave in French cinema, Douglas Morrey looks at ...
From the precocious charms of Shirley Temple to the box-office behemoth Frozen and its two young fem...
This thesis is a detailed study of the type la Parisienne in cinema. It seeks to expand on existing ...
This interdisciplinary thesis examines Agnès Varda’s inhabitation of the flâneuse in the city space,...
This paper seeks to illustrate the auteurism and the cinematic influences present in Sofia Coppola’s...
UnrestrictedMy dissertation examines the work of French director Agnès Varda in the context of Frenc...
Cacqueray Elisabeth de. Constructions of Women in British Cinema : from Losey/Pinter's Modernism to ...
Contemporary women's cinema in France has developed within a specific context. The persistence of au...
This thesis surveys the origin and development of the female gothic in feature-length fiction films....
This dissertation is an attempt to understand how early twenty-first century French films (2000-2002...
This thesis examines the different ways films have explored female presence as a narrative and styli...
This book opens up the history of twentieth-century French cinema from the silent era to the present...
Contemporary women\u27s cinema in France has developed within a specific context. The persistence of...
Notre recherche vise l’idée et la pratique d’une modernité filmique française intimiste, de nature a...
The appearance and agency of the most prominent of the female characters in Joachim Trier’s films ar...
In this study of the impact and influence of the New Wave in French cinema, Douglas Morrey looks at ...
From the precocious charms of Shirley Temple to the box-office behemoth Frozen and its two young fem...
This thesis is a detailed study of the type la Parisienne in cinema. It seeks to expand on existing ...