Changes in the public perception of performing artists make for fascinating study. There once was a time when the Three Tenors were considered mere mortals. And there was a time when a conductor, Arturo Toscanini, was considered the living embodiment of the composers whose music he performed. Largely through the efforts of the press and the National Broadcasting Company, Toscanini came to be known as the only musician with the integrity and modesty to perform a composition exactly as it was notated in the musical score. Thanks to the existence of recorded performances, as well as the reminiscences of some of his colleagues, many people no realize that Toscanini\u27s reputation for absolutely literal fidelity to the printed score was largely...
This article is based on the authors' presentation at the Association for Recorded Sound Collections...
This research, which combines historical survey, performance practice, and practice-led methods, exa...
As conductors of other composers\u27 music, Mendelssohn, Berlioz, and Wagner professed the desire to...
Thanks to the new media, i.e., record, radio and TV, Arturo Toscanini was the first conductor known ...
Thanks to the new media, i.e., record, radio and TV, Arturo Toscanini was the first conductor known ...
Focuses on the Don Gillis Collection, which the University of North Texas Music Library acquired aft...
Focuses on the Don Gillis Collection, which the University of North Texas Music Library acquired aft...
This article presents and analyses various aspects of how the orchestra conductor Arturo Toscanini w...
The article focuses on Toscanini\u2019s authoritative skill at the light of conducting emergence dur...
The article focuses on Toscanini’s authoritative skill at the light of conducting emergence during t...
The acclaim and recognition attributed to the musical performers of the eighteenth century are refle...
PERFORMANCE PRACTICES IN FOUR PUCCINI ARIAS TEMPO CHOICES AND CHOOSERS Joshua O. Neumann, M.M. Unive...
Of course, many scholars working on opera and music theatre well understand the nature and origins o...
In this article, Aubrey S. Garlington, Jr. explains the historical tension between the composer of t...
PERFORMANCE PRACTICES IN FOUR PUCCINI ARIAS TEMPO CHOICES AND CHOOSERS Joshua O. Neumann, M.M. Unive...
This article is based on the authors' presentation at the Association for Recorded Sound Collections...
This research, which combines historical survey, performance practice, and practice-led methods, exa...
As conductors of other composers\u27 music, Mendelssohn, Berlioz, and Wagner professed the desire to...
Thanks to the new media, i.e., record, radio and TV, Arturo Toscanini was the first conductor known ...
Thanks to the new media, i.e., record, radio and TV, Arturo Toscanini was the first conductor known ...
Focuses on the Don Gillis Collection, which the University of North Texas Music Library acquired aft...
Focuses on the Don Gillis Collection, which the University of North Texas Music Library acquired aft...
This article presents and analyses various aspects of how the orchestra conductor Arturo Toscanini w...
The article focuses on Toscanini\u2019s authoritative skill at the light of conducting emergence dur...
The article focuses on Toscanini’s authoritative skill at the light of conducting emergence during t...
The acclaim and recognition attributed to the musical performers of the eighteenth century are refle...
PERFORMANCE PRACTICES IN FOUR PUCCINI ARIAS TEMPO CHOICES AND CHOOSERS Joshua O. Neumann, M.M. Unive...
Of course, many scholars working on opera and music theatre well understand the nature and origins o...
In this article, Aubrey S. Garlington, Jr. explains the historical tension between the composer of t...
PERFORMANCE PRACTICES IN FOUR PUCCINI ARIAS TEMPO CHOICES AND CHOOSERS Joshua O. Neumann, M.M. Unive...
This article is based on the authors' presentation at the Association for Recorded Sound Collections...
This research, which combines historical survey, performance practice, and practice-led methods, exa...
As conductors of other composers\u27 music, Mendelssohn, Berlioz, and Wagner professed the desire to...