Add to ORKGThe University of Nebraska at Omaha\u27s Technology Assisted Performance Ensemble (or TAPE) is UNO\u27s first Laptop Orchestra. TAPE focuses on electronic music as well as exploring the boundaries of what we understand to be music. Combining traditional music theory and digital synthesis creates a new genre of academic music that is on the cutting edge of research in both fields of music and technology. TAPE was founded by Dr. Seth Shafer and Nicholas Spencer with initial funding by the University of Nebraska at Omaha\u27s FUSE grant
“Folly” is a work for saxophone quartet by Mike Mower. A recorded version by his ensemble Itchy Fin...
Music Professor Michael Wittgraf experiments with a modern approach to creating music Step off the b...
A Practice Led Inycstigation into the Relationship Between Computer and Live Performer in Multi-Medi...
How a team of musicians, engineers, computer scientists, and psychologists developed computer music ...
The Columbia-Princeton Electronic Music Center, established in 1958 with a grant from the Rockefelle...
Music faculty at colleges and universities are in a unique position to help found and develop new co...
CD curation The CD release, Sound Body, was released as an outcome of an AHRC Research Fellowship ...
poster abstractToday's art music scene has changed quite a bit over the past 5 years, from organizin...
The Oxford Handbook of Computer Music offers a state-of-the-art cross-section of the most field-defi...
Two performers each take a roll of tape and simultaneously wrap it around both of their bodies. They...
‘Piece for Tape’ is a live performance featuring guitar, vocal and interactive audio-visual system. ...
"Music for Orchestra and Electronic Tape" is an attempt to combine the instruments of the symphony o...
From the Washington University Senior Honors Thesis Abstracts (WUSHTA), Spring 2018. Published by th...
As a composer and performer of improvised music, I find my interest drawn to the relationships forme...
This project presents a multimedia performance and a written exegesis. It will focus on the way crea...
“Folly” is a work for saxophone quartet by Mike Mower. A recorded version by his ensemble Itchy Fin...
Music Professor Michael Wittgraf experiments with a modern approach to creating music Step off the b...
A Practice Led Inycstigation into the Relationship Between Computer and Live Performer in Multi-Medi...
How a team of musicians, engineers, computer scientists, and psychologists developed computer music ...
The Columbia-Princeton Electronic Music Center, established in 1958 with a grant from the Rockefelle...
Music faculty at colleges and universities are in a unique position to help found and develop new co...
CD curation The CD release, Sound Body, was released as an outcome of an AHRC Research Fellowship ...
poster abstractToday's art music scene has changed quite a bit over the past 5 years, from organizin...
The Oxford Handbook of Computer Music offers a state-of-the-art cross-section of the most field-defi...
Two performers each take a roll of tape and simultaneously wrap it around both of their bodies. They...
‘Piece for Tape’ is a live performance featuring guitar, vocal and interactive audio-visual system. ...
"Music for Orchestra and Electronic Tape" is an attempt to combine the instruments of the symphony o...
From the Washington University Senior Honors Thesis Abstracts (WUSHTA), Spring 2018. Published by th...
As a composer and performer of improvised music, I find my interest drawn to the relationships forme...
This project presents a multimedia performance and a written exegesis. It will focus on the way crea...
“Folly” is a work for saxophone quartet by Mike Mower. A recorded version by his ensemble Itchy Fin...
Music Professor Michael Wittgraf experiments with a modern approach to creating music Step off the b...
A Practice Led Inycstigation into the Relationship Between Computer and Live Performer in Multi-Medi...