This article provides a succinct history of Anglican cathedral and parish music in the Western Cape Province and the city of Cape Town. Within these parameters the author explores the musical trends in different strands of Anglicanism (Anglo-Catholic, Broad Church and Evangelical), documents the development of choirs and music groups and gauges the musical consciousness of South African Anglicans. The article begins at the turn of the twentieth century and extends to 2010. The earliest history (from 1750 - 1900) has been documented in a previous article by the same author
The Xhosa, an African people united by language and history, occupied a large portion of what is now...
This thesis focuses on the areas which have become the periphery of historical narratives about musi...
Includes bibliographical references.1. Introduction -- 2. Background to the Anglican Church in the D...
This article documents one year (1900) in the musical life of a colonial Anglican cathedral in Graha...
Includes bibliographical references.The broader purpose of this study is to investigate musical chan...
This article examines examples of musical localisation at the College of the Transfiguration, an Ang...
This essay explores the congregational repertoire of hymnody in the Anglican parishes of the Diocese...
The Constitution on the Liturgy of the Second Vatican Council opened the way for the use of folk mus...
This essay analyses localised hymn tunes from the College of the Transfiguration (Anglican seminary)...
This article looks briefly at the origin or history, nature and emerging trends with regard to the s...
There is a developing trend within mainstream South African Churches to incorporate styles of tradit...
This study serves as a contribution to the literature on the music of the Moravian Church with speci...
This article looks briefly at the origin or history, nature and emerging trends with regard to the ...
Until the 1960s music in the African language Catholic churches in southern Africa was confined to E...
In this article, the authors firstly provide a brief historical narrative of the origin of the Morav...
The Xhosa, an African people united by language and history, occupied a large portion of what is now...
This thesis focuses on the areas which have become the periphery of historical narratives about musi...
Includes bibliographical references.1. Introduction -- 2. Background to the Anglican Church in the D...
This article documents one year (1900) in the musical life of a colonial Anglican cathedral in Graha...
Includes bibliographical references.The broader purpose of this study is to investigate musical chan...
This article examines examples of musical localisation at the College of the Transfiguration, an Ang...
This essay explores the congregational repertoire of hymnody in the Anglican parishes of the Diocese...
The Constitution on the Liturgy of the Second Vatican Council opened the way for the use of folk mus...
This essay analyses localised hymn tunes from the College of the Transfiguration (Anglican seminary)...
This article looks briefly at the origin or history, nature and emerging trends with regard to the s...
There is a developing trend within mainstream South African Churches to incorporate styles of tradit...
This study serves as a contribution to the literature on the music of the Moravian Church with speci...
This article looks briefly at the origin or history, nature and emerging trends with regard to the ...
Until the 1960s music in the African language Catholic churches in southern Africa was confined to E...
In this article, the authors firstly provide a brief historical narrative of the origin of the Morav...
The Xhosa, an African people united by language and history, occupied a large portion of what is now...
This thesis focuses on the areas which have become the periphery of historical narratives about musi...
Includes bibliographical references.1. Introduction -- 2. Background to the Anglican Church in the D...