Punch Me in the Stomach is the story of Deb Filler, the daughter of a concentration camp survivor. It is, in fact, an adaptation of comedienne Filler\u27s one woman stage show, in which she plays the role of 36 different characters from her extended family. In the story, Deb is asked by her father to accompany him on a tour of the camps in which he was incarcerated during the Holocaust. She tells of this experience, but only after telling a wide range of other stories about her own family and growing up. I [Tania Oldenhage] first saw Punch Me in the Stomach because it was recommended by a friend of mine who is working on second-generation writers of the Holocaust
abstract: In the time of Nazi Germany the systematic targeting of Jews for persecution and extermina...
Since 2015, Israeli-born German artist Shahak Shapira has initiated several satirical campaigns targ...
The history of genocide is replete with various humorous treatments by different actors with distinc...
For many Holocaust survivors, one of the most difficult obstacles to overcome is the simultaneous ne...
abstract: Approaches to Holocaust representation often take their cues from both academic and public...
This thesis aims to analyze the ways many Jewish victims of the Holocaust used comedic theatre to he...
Recent developments in German television programming represent Adolf Hitler and his Nazi regime thro...
Honors (Bachelor's)HistoryAmerican CultureUniversity of Michiganhttp://deepblue.lib.umich.edu/bitstr...
textThis project examines the rhetorical strategies at play in four films which intertwine humor i...
This thesis takes a temporally and thematically concentrated approach to American Jewish humor. In ...
This thesis explores a narrative strategy employed by many survivor writers in their Holocaust narra...
In this chapter, the author draws on a series of qualitative interviews as part of an exploratory st...
For his premiere of The Cannibals at the Berliner Schiller Theater in December of 1969, George Tabor...
This dissertation investigates the complex relationship between humor and truth-telling in Holocaust...
In his article \u27Mad Laughter\u27 in Federman\u27s The Twofold Vibration Menachem Feuer discusse...
abstract: In the time of Nazi Germany the systematic targeting of Jews for persecution and extermina...
Since 2015, Israeli-born German artist Shahak Shapira has initiated several satirical campaigns targ...
The history of genocide is replete with various humorous treatments by different actors with distinc...
For many Holocaust survivors, one of the most difficult obstacles to overcome is the simultaneous ne...
abstract: Approaches to Holocaust representation often take their cues from both academic and public...
This thesis aims to analyze the ways many Jewish victims of the Holocaust used comedic theatre to he...
Recent developments in German television programming represent Adolf Hitler and his Nazi regime thro...
Honors (Bachelor's)HistoryAmerican CultureUniversity of Michiganhttp://deepblue.lib.umich.edu/bitstr...
textThis project examines the rhetorical strategies at play in four films which intertwine humor i...
This thesis takes a temporally and thematically concentrated approach to American Jewish humor. In ...
This thesis explores a narrative strategy employed by many survivor writers in their Holocaust narra...
In this chapter, the author draws on a series of qualitative interviews as part of an exploratory st...
For his premiere of The Cannibals at the Berliner Schiller Theater in December of 1969, George Tabor...
This dissertation investigates the complex relationship between humor and truth-telling in Holocaust...
In his article \u27Mad Laughter\u27 in Federman\u27s The Twofold Vibration Menachem Feuer discusse...
abstract: In the time of Nazi Germany the systematic targeting of Jews for persecution and extermina...
Since 2015, Israeli-born German artist Shahak Shapira has initiated several satirical campaigns targ...
The history of genocide is replete with various humorous treatments by different actors with distinc...