The popular film, Contact, explores head-on the relationship between religious faith and science, especially with regard to technology and its role in human life. At a number of points in the film, the audience is sent the message that a positive relationship is possible between faith and science. Indeed, the two are often treated as similar to one another in basic structure and, perhaps, even in need of one another. Implicitly, however, at the level of standard filmic conventions, Contact offers no clear and compelling vision of religious faith and ultimately the relationship between faith and science breaks down as the former is reduced to a caricature
This article is continued from Volume 11, Issue 1. The War of the Worlds, which was scripted by Bar...
Whilst science fiction is often considered secular in emphasis, more recently it has started to exhi...
Science Fiction (SF) films have frequently been the vehicles for hidden biblical characters, particu...
Based on the 1985 science fiction novel by the astronomer Carl Sagan, Contact tells the story of wha...
I first review the features of Merkabah Mysticism emerging from the Jewish Hekhalot literature. I th...
In science fiction films, we explore remote universes and use yet unknown technologies – the world a...
The film Contact employs a plot and literary motifs that are in many ways parallel to those in Dante...
How plausible is it to examine the medium of film through a Christian lens? Are there any grounds fo...
The film Contact employs a plot and literary motifs that are in many ways parallel to those in Dante...
In a world where technology has become the center of the universe, traditional religious teachings r...
This article explores three common techno-spiritual myths presented in three recent science fiction ...
This paper attempts to describe the core ideas behind science and religion and outlines the differen...
The theological problem with Arrival, then, is a seeming lack of the Christian virtue of hope. Post...
Do scientists see conflict between science and faith? Which cultural factors shape the attitudes of ...
Using philosophical propositions from Stanley Cavell\u27s work The World Viewed, I argue in this pap...
This article is continued from Volume 11, Issue 1. The War of the Worlds, which was scripted by Bar...
Whilst science fiction is often considered secular in emphasis, more recently it has started to exhi...
Science Fiction (SF) films have frequently been the vehicles for hidden biblical characters, particu...
Based on the 1985 science fiction novel by the astronomer Carl Sagan, Contact tells the story of wha...
I first review the features of Merkabah Mysticism emerging from the Jewish Hekhalot literature. I th...
In science fiction films, we explore remote universes and use yet unknown technologies – the world a...
The film Contact employs a plot and literary motifs that are in many ways parallel to those in Dante...
How plausible is it to examine the medium of film through a Christian lens? Are there any grounds fo...
The film Contact employs a plot and literary motifs that are in many ways parallel to those in Dante...
In a world where technology has become the center of the universe, traditional religious teachings r...
This article explores three common techno-spiritual myths presented in three recent science fiction ...
This paper attempts to describe the core ideas behind science and religion and outlines the differen...
The theological problem with Arrival, then, is a seeming lack of the Christian virtue of hope. Post...
Do scientists see conflict between science and faith? Which cultural factors shape the attitudes of ...
Using philosophical propositions from Stanley Cavell\u27s work The World Viewed, I argue in this pap...
This article is continued from Volume 11, Issue 1. The War of the Worlds, which was scripted by Bar...
Whilst science fiction is often considered secular in emphasis, more recently it has started to exhi...
Science Fiction (SF) films have frequently been the vehicles for hidden biblical characters, particu...