Add to ORKGOn November 20, 1999, I was privileged to chair a session of the Religion, Film and Visual Culture group at the annual meeting of the American Academy of Religion (AAR). The session was entitled Film and the Apocalypse , and consisted of the five papers that are collected in this volume. The word apocalypse comes from a Greek root meaning to reveal or uncover, which is precisely what I understand films to do, reveal something about the world. In these five papers, much is revealed about the apocalyptic visions of a number of contemporary Hollywood films. This essay will be a summary of and reflection on those five papers
The turn of the millennium saw a marked increase in apocalypse-themed mass media, especially in tele...
The article is a continuation of the considerations for first time announced in “How is film philoso...
Apocalypticism as a literary genre has been a field of broad research for the study of religions. Sc...
On November 20, 1999, I was privileged to chair a session of the Religion, Film and Visual Culture g...
On November 20, 1999, I was privileged to chair a session of the Religion, Film and Visual Culture g...
In a world where technology has become the center of the universe, traditional religious teachings r...
This work will concern the treatment of the apocalypse in popular American film since 1970. The film...
Amid the often complex and paradoxical relationship between Hollywood and American Christianity lies...
Amid the often complex and paradoxical relationship between Hollywood and American Christianity lies...
Herein we offer a critique of contemporary filmic visions of apocalypse. The problem with many Holly...
In response to John Lyden\u27s paper, To Commend or Critique? The Question of Religion and Film Stu...
The steady rise in production of American apocalyptic films and the genre\u27s enduring popularity o...
We must ask ourselves if the connection between modern times and the past are stronger than we would...
We must ask ourselves if the connection between modern times and the past are stronger than we would...
The New Year has come and gone and presents a time for reflection on popular culture\u27s fascinatio...
The turn of the millennium saw a marked increase in apocalypse-themed mass media, especially in tele...
The article is a continuation of the considerations for first time announced in “How is film philoso...
Apocalypticism as a literary genre has been a field of broad research for the study of religions. Sc...
On November 20, 1999, I was privileged to chair a session of the Religion, Film and Visual Culture g...
On November 20, 1999, I was privileged to chair a session of the Religion, Film and Visual Culture g...
In a world where technology has become the center of the universe, traditional religious teachings r...
This work will concern the treatment of the apocalypse in popular American film since 1970. The film...
Amid the often complex and paradoxical relationship between Hollywood and American Christianity lies...
Amid the often complex and paradoxical relationship between Hollywood and American Christianity lies...
Herein we offer a critique of contemporary filmic visions of apocalypse. The problem with many Holly...
In response to John Lyden\u27s paper, To Commend or Critique? The Question of Religion and Film Stu...
The steady rise in production of American apocalyptic films and the genre\u27s enduring popularity o...
We must ask ourselves if the connection between modern times and the past are stronger than we would...
We must ask ourselves if the connection between modern times and the past are stronger than we would...
The New Year has come and gone and presents a time for reflection on popular culture\u27s fascinatio...
The turn of the millennium saw a marked increase in apocalypse-themed mass media, especially in tele...
The article is a continuation of the considerations for first time announced in “How is film philoso...
Apocalypticism as a literary genre has been a field of broad research for the study of religions. Sc...