In two separate posts on Pencil Panel Page, Qiana Whitted and Aaron Meskin have explored the way comics readers engage with images. (Click here to read Qiana’s post and click here to read Aaron’s.) Specifically, they engage Scott McCloud’s claim that readers identify with drawn images of human beings. To quote McCloud, “when you look at a photo or realistic drawing of a face–you see it as the face of another. But when you enter the world of the cartoon–you see yourself” (36). My question in this post has not to do with images but rather with narrative. When we read comics, to what degree to we see ourselves in the narratives we’re reading? Or perhaps more accurately, to what degree do we see our lives represented therein? Do we identify mor...
For the final installment of this series about comics and representations of everyday life, I will b...
I recently made a rather significant move from Omaha, Nebraska to Stockholm, Sweden. I accepted a vi...
EPUB has emerged as the standard format for e‐books due to its numerous advantages over PDF, includi...
My interest in comics from an academic standpoint is how language codes function. Mostly I examine h...
In recognition of Valentine’s Day, I decided to write a post about love in comics. But not any kind ...
In early August 2013, Alyssa Rosenberg posted an article about a panel discussion she attended, whic...
Many donated books in circulating collections have value as historical artifacts due to unique inter...
One of my favorite webcomics is Wondermark, by David Malki !. What fascinates me about the strip is ...
In this unit, students will examine and interpret past examples of storytelling, and will tell their...
On 23-24 April 2013, I attended a conference called “Images of Terror, Narratives of Insecurity: Lit...
Welcome to the third post in the Pencil Panel Page roundtable on George Herriman’s Krazy Kat. We are...
his week (starting Monday 10 June 2013), CNN is broadcasting stories every day in a series called Co...
For my part in the retrospective, I have the pleasure of revisiting Roy’s questions to choose my fav...
This is a review of: Bill Campbell, Jason Rodriguez, and John Jennings, eds., APB: Artists against P...
In school, as in their daily lives, children are confronted by images, written texts and combination...
For the final installment of this series about comics and representations of everyday life, I will b...
I recently made a rather significant move from Omaha, Nebraska to Stockholm, Sweden. I accepted a vi...
EPUB has emerged as the standard format for e‐books due to its numerous advantages over PDF, includi...
My interest in comics from an academic standpoint is how language codes function. Mostly I examine h...
In recognition of Valentine’s Day, I decided to write a post about love in comics. But not any kind ...
In early August 2013, Alyssa Rosenberg posted an article about a panel discussion she attended, whic...
Many donated books in circulating collections have value as historical artifacts due to unique inter...
One of my favorite webcomics is Wondermark, by David Malki !. What fascinates me about the strip is ...
In this unit, students will examine and interpret past examples of storytelling, and will tell their...
On 23-24 April 2013, I attended a conference called “Images of Terror, Narratives of Insecurity: Lit...
Welcome to the third post in the Pencil Panel Page roundtable on George Herriman’s Krazy Kat. We are...
his week (starting Monday 10 June 2013), CNN is broadcasting stories every day in a series called Co...
For my part in the retrospective, I have the pleasure of revisiting Roy’s questions to choose my fav...
This is a review of: Bill Campbell, Jason Rodriguez, and John Jennings, eds., APB: Artists against P...
In school, as in their daily lives, children are confronted by images, written texts and combination...
For the final installment of this series about comics and representations of everyday life, I will b...
I recently made a rather significant move from Omaha, Nebraska to Stockholm, Sweden. I accepted a vi...
EPUB has emerged as the standard format for e‐books due to its numerous advantages over PDF, includi...