Add to ORKGThe introduction of the modern director at the end of th4e nineteenth century had a major impact on both the role of dramatists in the theatrical process and the way they use stage directions within playscripts. This change will be demonstrated by a study of the way English-speaking dramatists make their intentions known through the scripted stage directions, or didascaliae, in dramatic texts
This thesis is an examination of the various functions of stage directions in the plays of Beckett a...
Over the course of May 2017 - February 2018, I examined the role of a theatre director in the develo...
According to various theoretical perspectives, views of didaskalia as a literary and theatre term ha...
The introduction of the modern director at the end of th4e nineteenth century had a major impact on ...
Most studies of O'Neill's plays have adopted a literary perspective which tends to overlook the esse...
This article explores how certain dramatists in early modern England and in Spain, specifically Ben ...
This project contends that certain kinds of stage directions can affectively engage the bodies of ac...
What do 'stage directions' do in early modern drama? Who or what are they directing: action on the s...
Stage directions that defy singular interpretation and do not, in fact, direct staging have been und...
This thesis explores the ways twenty-first century theatre directors reshape Shakespeare’s texts for...
Book synopsis: What do 'stage directions' do in early modern drama? Who or what are they directing: ...
This study was designed to stage the drama Who\u27s Afraid of Virginia Woolf? by Edward Albee for pr...
This article explores how certain dramatists in early modern England and in Spain, specifically Ben ...
Often regarded as purely utilitarian messages with no artistic value in themselves, stage directions...
At first glance, Shakespeare\u27s scripts seem to provide very little stage direction. For modern di...
This thesis is an examination of the various functions of stage directions in the plays of Beckett a...
Over the course of May 2017 - February 2018, I examined the role of a theatre director in the develo...
According to various theoretical perspectives, views of didaskalia as a literary and theatre term ha...
The introduction of the modern director at the end of th4e nineteenth century had a major impact on ...
Most studies of O'Neill's plays have adopted a literary perspective which tends to overlook the esse...
This article explores how certain dramatists in early modern England and in Spain, specifically Ben ...
This project contends that certain kinds of stage directions can affectively engage the bodies of ac...
What do 'stage directions' do in early modern drama? Who or what are they directing: action on the s...
Stage directions that defy singular interpretation and do not, in fact, direct staging have been und...
This thesis explores the ways twenty-first century theatre directors reshape Shakespeare’s texts for...
Book synopsis: What do 'stage directions' do in early modern drama? Who or what are they directing: ...
This study was designed to stage the drama Who\u27s Afraid of Virginia Woolf? by Edward Albee for pr...
This article explores how certain dramatists in early modern England and in Spain, specifically Ben ...
Often regarded as purely utilitarian messages with no artistic value in themselves, stage directions...
At first glance, Shakespeare\u27s scripts seem to provide very little stage direction. For modern di...
This thesis is an examination of the various functions of stage directions in the plays of Beckett a...
Over the course of May 2017 - February 2018, I examined the role of a theatre director in the develo...
According to various theoretical perspectives, views of didaskalia as a literary and theatre term ha...