In his lecture The Origin of the Work of Art , Heidegger presents us with what seems to be a paradox: What art is should be inferable from the work. What the work of art is we can come to know only from the essence of art. Anyone can easily see that we are moving in a circle, Ordinary understanding demands that this circle be avoided because it violates logic. In this essay, I will discuss how the ontological study of the work of art results in the conceptualization of the work of art. Ultimately, through conceptualization alone, one loses sight of what the essence of art is. Only when the conceptualization of the work of art is contextualized will one be able to see the truth of the work of art
Based on the etymology of truth (ἀλήθεια) that Heidegger (1986) does in Sein und Zeit (Being and Tim...
Despite the recognition that Heidegger's interpretation of Aristotle is fundamental to the project o...
The aim of this paper is to bring to light some of the fundamental differences between Heidegger’s a...
In his lecture The Origin of the Work of Art , Heidegger presents us with what seems to be a parado...
My purpose, broadly construed, is a simple one; to interpret Heidegger\u27s The Origin of the Work ...
The paper discusses the possibility of applying Heidegger’s considerations on art to the problematic...
Heidegger\u27s essay The Origin of the Work of Art contains difficult and often ambiguous concepts...
This paper makes the claim that in ?The Origin of the Work of Art,? Heidegger treats art as a primar...
Martin Heidegger in The Origin of the Work of Art (Der Ursprung des Kunstwerkes) developed a whole n...
In the ‘Addendum’ to ‘The Origin of the Work of Art’, Heidegger tells us that art belongs to ‘approp...
Heidegger’s The Origin of the Work of Art reevaluates how artworks are meaningful by offering a phen...
Examines the ambiguity of the term "work" in Martin Heidegger's famous essay "The Origin of the Work...
In this work I present both a historical and philosophical argument. First, I use Martin Heidegger\u...
This paper provides an interpretation of Heidegger’s “The Origin of the Work of Art ” (hereinafter c...
In this essay, Heidegger's theses on art, as he develops them in the text "On the Origin of the Work...
Based on the etymology of truth (ἀλήθεια) that Heidegger (1986) does in Sein und Zeit (Being and Tim...
Despite the recognition that Heidegger's interpretation of Aristotle is fundamental to the project o...
The aim of this paper is to bring to light some of the fundamental differences between Heidegger’s a...
In his lecture The Origin of the Work of Art , Heidegger presents us with what seems to be a parado...
My purpose, broadly construed, is a simple one; to interpret Heidegger\u27s The Origin of the Work ...
The paper discusses the possibility of applying Heidegger’s considerations on art to the problematic...
Heidegger\u27s essay The Origin of the Work of Art contains difficult and often ambiguous concepts...
This paper makes the claim that in ?The Origin of the Work of Art,? Heidegger treats art as a primar...
Martin Heidegger in The Origin of the Work of Art (Der Ursprung des Kunstwerkes) developed a whole n...
In the ‘Addendum’ to ‘The Origin of the Work of Art’, Heidegger tells us that art belongs to ‘approp...
Heidegger’s The Origin of the Work of Art reevaluates how artworks are meaningful by offering a phen...
Examines the ambiguity of the term "work" in Martin Heidegger's famous essay "The Origin of the Work...
In this work I present both a historical and philosophical argument. First, I use Martin Heidegger\u...
This paper provides an interpretation of Heidegger’s “The Origin of the Work of Art ” (hereinafter c...
In this essay, Heidegger's theses on art, as he develops them in the text "On the Origin of the Work...
Based on the etymology of truth (ἀλήθεια) that Heidegger (1986) does in Sein und Zeit (Being and Tim...
Despite the recognition that Heidegger's interpretation of Aristotle is fundamental to the project o...
The aim of this paper is to bring to light some of the fundamental differences between Heidegger’s a...