Senegalese cinema was born with a conscience. From its earliest days, Senegalese films have been marked by tendencies to preserve cultural identity and promote social change. Using background research, film screenings, discussions, and interviews, this study categories these trends into a movement of “Conscientious Cinema,” and identifies the development of both of these objectives. This study first traces the trend of cultural identity preservation from the films of the founding generation to their evolution in the projects of young filmmakers today, and similarly explores the development of the trend of social-change promotion from between these generations. In the analysis, I examine why these trends have developed and how they are im...
The emergence of the Y en a marre movement in 2011 has reshaped the face of social activism in Franc...
The subject of this study is Sub-Sahara Africa Anglophone Video-moviemaking and the research process...
The growing body of films in and around Africa, and the seemingly incongruent growth in African film...
Senegalese cinema was born with a conscience. From its earliest days, Senegalese films have been mar...
This work aims at filling a gap in African cinema studies. The plurality in film production has been...
This article examines small film festivals in the socio-cultural context of Senegal. Through the cas...
This study asks whether it is possible to produce revolutionary art – in this instance cinema - in t...
283 p.Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2007.This dissertation examines th...
African films, poorly distributed within commercial cinema circuits, are still sometimes seen from a...
African films, still poorly circulated within commercial cinema circuits, are sometimes mostly looke...
AFRICAN CINEMA: ADDRESSEE UNKNOWN Thirty years after Sembene's pioneering Borom Sarret, this is a mo...
This study explores the conditions surrounding the closure of traditional movie theatres inWest Afri...
Abstract: Social change is the predominant trope in South African films, ranging from documentary to...
This paper traces the construction of African identities in A Reasonable Man (South Africa 1999), Ch...
What are the influences, internal and external, shaping the video-movie industry in Ghana? In what d...
The emergence of the Y en a marre movement in 2011 has reshaped the face of social activism in Franc...
The subject of this study is Sub-Sahara Africa Anglophone Video-moviemaking and the research process...
The growing body of films in and around Africa, and the seemingly incongruent growth in African film...
Senegalese cinema was born with a conscience. From its earliest days, Senegalese films have been mar...
This work aims at filling a gap in African cinema studies. The plurality in film production has been...
This article examines small film festivals in the socio-cultural context of Senegal. Through the cas...
This study asks whether it is possible to produce revolutionary art – in this instance cinema - in t...
283 p.Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 2007.This dissertation examines th...
African films, poorly distributed within commercial cinema circuits, are still sometimes seen from a...
African films, still poorly circulated within commercial cinema circuits, are sometimes mostly looke...
AFRICAN CINEMA: ADDRESSEE UNKNOWN Thirty years after Sembene's pioneering Borom Sarret, this is a mo...
This study explores the conditions surrounding the closure of traditional movie theatres inWest Afri...
Abstract: Social change is the predominant trope in South African films, ranging from documentary to...
This paper traces the construction of African identities in A Reasonable Man (South Africa 1999), Ch...
What are the influences, internal and external, shaping the video-movie industry in Ghana? In what d...
The emergence of the Y en a marre movement in 2011 has reshaped the face of social activism in Franc...
The subject of this study is Sub-Sahara Africa Anglophone Video-moviemaking and the research process...
The growing body of films in and around Africa, and the seemingly incongruent growth in African film...