International audienceMeta-cinema in its various forms - quotations, reconstruction of the making of...
La présente thèse propose d’analyser l’approche de l’espace dans le cinéma de Jia Zhangke, le réalis...
In this dissertation, by selecting four Hollywood films with Chinese and Asian people as objects, a ...
Place is a complicated concept in urban design literature that does not lend itself to a definite in...
Taiwanese filmmaker Tsai Ming Liang is celebrated for his slow, poetic filmmaking and the philosophi...
Malaysian-born Taiwanese filmmaker Tsai Ming-liang is known for his films about encounters between s...
[[abstract]]The thematization of the change in socio-cultural patterns as a result of urbanization i...
[[abstract]]An essay is presented on the theme of change in socio-cultural patterns resulting from u...
The works of Tsai Ming-Liang and Kim Ki-Duk, two directors in contemporary Asian cinema, qualify as ...
Deposited with permission of the British Film InstituteVive L’Amour (Tsai Ming-liang, 1994), winner ...
The Malaysia-born, Taiwan-based flmmaker Tsai Ming-liang's Visage (2009) is a flm that was commissi...
The Malaysia-born, Taiwan-based filmmaker Tsai Ming-liang\u27s Visage (2009) is a film that was comm...
<p>This article is dedicated to an analysis of Chinese director Jia Zhang-ke’s film <em>Still Life <...
Using ambivalence as a theoretical framework, this study examines Ang Lee\u27s cinematic discourse o...
With persistent efforts on constructing personal and collective memories arising from the unpreceden...
International audienceMeta-cinema in its various forms - quotations, reconstruction of the making of...
La présente thèse propose d’analyser l’approche de l’espace dans le cinéma de Jia Zhangke, le réalis...
In this dissertation, by selecting four Hollywood films with Chinese and Asian people as objects, a ...
Place is a complicated concept in urban design literature that does not lend itself to a definite in...
Taiwanese filmmaker Tsai Ming Liang is celebrated for his slow, poetic filmmaking and the philosophi...
Malaysian-born Taiwanese filmmaker Tsai Ming-liang is known for his films about encounters between s...
[[abstract]]The thematization of the change in socio-cultural patterns as a result of urbanization i...
[[abstract]]An essay is presented on the theme of change in socio-cultural patterns resulting from u...
The works of Tsai Ming-Liang and Kim Ki-Duk, two directors in contemporary Asian cinema, qualify as ...
Deposited with permission of the British Film InstituteVive L’Amour (Tsai Ming-liang, 1994), winner ...
The Malaysia-born, Taiwan-based flmmaker Tsai Ming-liang's Visage (2009) is a flm that was commissi...
The Malaysia-born, Taiwan-based filmmaker Tsai Ming-liang\u27s Visage (2009) is a film that was comm...
<p>This article is dedicated to an analysis of Chinese director Jia Zhang-ke’s film <em>Still Life <...
Using ambivalence as a theoretical framework, this study examines Ang Lee\u27s cinematic discourse o...
With persistent efforts on constructing personal and collective memories arising from the unpreceden...
International audienceMeta-cinema in its various forms - quotations, reconstruction of the making of...
La présente thèse propose d’analyser l’approche de l’espace dans le cinéma de Jia Zhangke, le réalis...
In this dissertation, by selecting four Hollywood films with Chinese and Asian people as objects, a ...