I want to create work that finds a home where ever it is performed. Work that can be mobile, but also sink into the characteristics of a particular space. My excitement lies in the opportunity to foster a new way of viewing, and consider a choreography that abstracts the dimensions of the dancing body. Questions of public versus private, and how it counters the pre-determinacy of a theatrical setting. How is performance ignited by the public eye? What is the relationship between the body and a space? How does the body respond to extremities in architecture? Especially while retaining a sense of integrity and sensation in movement? How does the space hold the movement and how does the movement assert itself in the space? I alter between a pr...
Site-specific dance performance is a response by a choreographer to a particular location. That loca...
This thesis enquires how a rethinking of sight as the primary sense for experiencing dance performan...
No abstract availableThis article was originally published by Parallel Press, an imprint of the Univ...
Light comprises our visual perception that lets us experience and understand our surroundings. By st...
Background: With dancer Hellen Russo I created site-specific work as part of a Strutdance/Artrage Co...
Written from a dancer’s perspective, this paper explores the choreographic ‘scorings’ available in t...
International audienceMy investigations on the capture of the dancing figure by a spectator or the c...
As a Lighting Designer, I will be adapting Western lighting design techniques to be impactful, appea...
Dances on Street Corners, is the title for my new, outdoor solo, dance work. The title presents a me...
Creative Development: The Body and Light. Within the current cultural climate, the independent chore...
The explosion of light emitting diode (LED) and liquid crystal display (LCD) screens into our lives ...
This dissertation explores the relationship between choreographic uses of space and social theories ...
(Thesis Statement) Space, said choreographer George Balanchine, \u27is everything\u27. A symphony c...
Body, even at its most still form, is the most violent against the acclamations of architectural spa...
Site-specific dance performance is a response by a choreographer to a particular location. That loca...
Site-specific dance performance is a response by a choreographer to a particular location. That loca...
This thesis enquires how a rethinking of sight as the primary sense for experiencing dance performan...
No abstract availableThis article was originally published by Parallel Press, an imprint of the Univ...
Light comprises our visual perception that lets us experience and understand our surroundings. By st...
Background: With dancer Hellen Russo I created site-specific work as part of a Strutdance/Artrage Co...
Written from a dancer’s perspective, this paper explores the choreographic ‘scorings’ available in t...
International audienceMy investigations on the capture of the dancing figure by a spectator or the c...
As a Lighting Designer, I will be adapting Western lighting design techniques to be impactful, appea...
Dances on Street Corners, is the title for my new, outdoor solo, dance work. The title presents a me...
Creative Development: The Body and Light. Within the current cultural climate, the independent chore...
The explosion of light emitting diode (LED) and liquid crystal display (LCD) screens into our lives ...
This dissertation explores the relationship between choreographic uses of space and social theories ...
(Thesis Statement) Space, said choreographer George Balanchine, \u27is everything\u27. A symphony c...
Body, even at its most still form, is the most violent against the acclamations of architectural spa...
Site-specific dance performance is a response by a choreographer to a particular location. That loca...
Site-specific dance performance is a response by a choreographer to a particular location. That loca...
This thesis enquires how a rethinking of sight as the primary sense for experiencing dance performan...
No abstract availableThis article was originally published by Parallel Press, an imprint of the Univ...