On June 2, 2016, the Ninth Circuit Court of Appeals held that a horn hit lasting less than a quarter of a second, which had been physically copied from a copyrighted sound recording and subsequently modified, did not constitute actionable copyright infringement. The Ninth Circuit opinion stands in direct opposition to the Sixth Circuit rule that any physical copying and use of a copyrighted sound recording constitutes actionable infringement, regardless of how small or whether the sample is modified. No other circuit has addressed the issue of whether a de minimis copying constitutes infringement of a copyrighted sound recording. In order to encourage the creative development of music in America and to protect individual property rights, an...
In Grand Upright Music Ltd. v. Warner Bros. Records, Inc., plaintiff was the copyright owner of Alo...
Part I of this Note examines the history of sound recording copyrights, the role of digital sampling...
In this book excerpt, the authors address the role of two major legal exceptions to copyright protec...
Music sampling is a legally complex and ambiguous area, with staggeringly high costs attached for co...
Digital sampling of sound recordings itself has become an art—an art that has given rise to hit song...
Digital sampling of sound recordings itself has become an art—an art that has given rise to hit song...
Music sampling is a legally complex and ambiguous area, with staggeringly high costs attached for co...
When hip-hop icon Biz Markie released his album “All Samples Cleared!” he joked of the end of what w...
Part I of this Note examines the history of sound recording copyrights, the role of digital sampling...
On June 3, 2005, the Sixth Circuit issued its final amended opinion in Bridgeport Music v. Dimension...
Sampling is a musical production practice that has become increasingly common since the 1980s. A pro...
In Bridgeport Music, Inc. v. Dimension Films,\u27 the Sixth Circuit tackled an issue that has been p...
This Note offers a comprehensive analysis of the current circuit split regarding how the de minimis ...
This Note argues that the bright-line rule announced in Bridgeport Music should not apply where the ...
As fair use has become more common as a defense to copyright infringement, often successfully, it ...
In Grand Upright Music Ltd. v. Warner Bros. Records, Inc., plaintiff was the copyright owner of Alo...
Part I of this Note examines the history of sound recording copyrights, the role of digital sampling...
In this book excerpt, the authors address the role of two major legal exceptions to copyright protec...
Music sampling is a legally complex and ambiguous area, with staggeringly high costs attached for co...
Digital sampling of sound recordings itself has become an art—an art that has given rise to hit song...
Digital sampling of sound recordings itself has become an art—an art that has given rise to hit song...
Music sampling is a legally complex and ambiguous area, with staggeringly high costs attached for co...
When hip-hop icon Biz Markie released his album “All Samples Cleared!” he joked of the end of what w...
Part I of this Note examines the history of sound recording copyrights, the role of digital sampling...
On June 3, 2005, the Sixth Circuit issued its final amended opinion in Bridgeport Music v. Dimension...
Sampling is a musical production practice that has become increasingly common since the 1980s. A pro...
In Bridgeport Music, Inc. v. Dimension Films,\u27 the Sixth Circuit tackled an issue that has been p...
This Note offers a comprehensive analysis of the current circuit split regarding how the de minimis ...
This Note argues that the bright-line rule announced in Bridgeport Music should not apply where the ...
As fair use has become more common as a defense to copyright infringement, often successfully, it ...
In Grand Upright Music Ltd. v. Warner Bros. Records, Inc., plaintiff was the copyright owner of Alo...
Part I of this Note examines the history of sound recording copyrights, the role of digital sampling...
In this book excerpt, the authors address the role of two major legal exceptions to copyright protec...