The masterpieces of medieval Spanish literature have come to be known and loved by Hispanists, and more recently by others throughout the world. But the brilliant illuminations with which the original manuscripts were illustrated have remained almost totally unknown on the shelves of the great European libraries. To redress this woeful neglect, two noted scholars here present a generous selection from this great visual treasury including many examples never before reproduced. John E. Keller and Richard P. Kinkade have chosen five representative works, dating from the mid-thirteenth century to the late fifteenth, to illustrate the richness of early Spanish narrative art. Together, these five works encompass the entire range of narrative tech...
Spanish manuscripts are considered as the most important Spanish productions in the Middle Ages and ...
Loin d’avoir provoqué l’indifférence des Espagnols, l’Amérique hispanique a attiré le regard péninsu...
grantor: University of TorontoThe relationship between visual representations and verbal l...
This article invites us to consider the usefulness of iconography as a method to describe the subjec...
Never before have all twenty-nine illustrated copies of the Beatus Commentaries on the Apocalypse be...
Never before have all twenty-nine illustrated copies of the Beatus Commentaries on the Apocalypse be...
This study examines the instructive aspects of visual material in medieval romance texts and their i...
The hundreds of illuminated miniatures found in the Cantigas de Santa Maria, sponsored by King Alfon...
Marian iconography has been reflected in medieval Hispanic poetry in many ways, ranging from verses ...
PhDStudies on mythological themes have largely ignored the Spanish Middle Ages, and critical works ...
On account of the incorporation of the iconographic corpus in our critical edition of the five Casti...
Distinguishing figural or typological allegory—a method adapted from the Christian exegesis of the O...
Don Juan Manuel, nephew of King Alfonso X, The Wise, knew well the appeal of exempla (moralized tale...
The present study explores the production, illumination and reception of Beatus of Liébana’s Comment...
Brief narratives,” or medieval precursors to the modern short story, are compositions couched in the...
Spanish manuscripts are considered as the most important Spanish productions in the Middle Ages and ...
Loin d’avoir provoqué l’indifférence des Espagnols, l’Amérique hispanique a attiré le regard péninsu...
grantor: University of TorontoThe relationship between visual representations and verbal l...
This article invites us to consider the usefulness of iconography as a method to describe the subjec...
Never before have all twenty-nine illustrated copies of the Beatus Commentaries on the Apocalypse be...
Never before have all twenty-nine illustrated copies of the Beatus Commentaries on the Apocalypse be...
This study examines the instructive aspects of visual material in medieval romance texts and their i...
The hundreds of illuminated miniatures found in the Cantigas de Santa Maria, sponsored by King Alfon...
Marian iconography has been reflected in medieval Hispanic poetry in many ways, ranging from verses ...
PhDStudies on mythological themes have largely ignored the Spanish Middle Ages, and critical works ...
On account of the incorporation of the iconographic corpus in our critical edition of the five Casti...
Distinguishing figural or typological allegory—a method adapted from the Christian exegesis of the O...
Don Juan Manuel, nephew of King Alfonso X, The Wise, knew well the appeal of exempla (moralized tale...
The present study explores the production, illumination and reception of Beatus of Liébana’s Comment...
Brief narratives,” or medieval precursors to the modern short story, are compositions couched in the...
Spanish manuscripts are considered as the most important Spanish productions in the Middle Ages and ...
Loin d’avoir provoqué l’indifférence des Espagnols, l’Amérique hispanique a attiré le regard péninsu...
grantor: University of TorontoThe relationship between visual representations and verbal l...