Many Indian metal statues were processional images, as may be seen with reference to this figure of Parvati, for on the base of the image are lugs for the insertion of poles. An elegant elongation of proportions appears in this sculpture (also evident in the Siva of slide 34), and, overall, this gives the goddess an air of sophistication. The characteristic of Prana or 'in-breath' is a vital element in the figures [sic] conception, while repose or 'relaxed tension' seems to be also very present. A gentle animation enlivens Parvatis [sic] gestures. Notice in particular the contrasts between rounded surfaces and flat surfaces over the figure of the goddess and the juxtaposition of delicately ornamented necklaces, girdle and bracelets to smoot...
Gahadavala sculpture is developed mainly from 9th century Pratihara art which was a masterfully refi...
The records of the sculpture exhibited in the classical literature are carried forward here. Althoug...
The historical framework for the discussion is the chronology of Sri Lankan culture, which, based on...
Another feature of Vijayangar [sic] art in the Pandya style is its spiritual dignity which often, un...
In general, the Chola style continued the Pallava and Eastern Chalukan [sic] tradition, which was a ...
Metalwork was one of the most ancient crafts in India, and the forging of iron work was advanced of ...
Detail, upper torso and head; lower hands giving the Abhaya mudra with right hand and Varada mudra w...
There is some tendency in Pala sculpture, exaggerated in the following period of the Senas, [toward]...
Detail, side view of head and torso, wearing the karandamukuta crown with the siraschakra halo in ba...
Overall view from front; giving the Abhaya mudra with right lower hand and Varada mudra with left lo...
One of the most popular aspects of the Great Lord Siva and his wife Parvati (also called Uma or by h...
It has often been observed that Indian sculpture has the graceful character of the dance, and, indee...
The medieval icons of southern India are among the most acclaimed Indian artistic innovations, espec...
The medieval icons of southern India are among the most acclaimed Indian artistic innovations, espec...
Abstract The medieval Sanskrit treaties of India have classified dance into three distinct categorie...
Gahadavala sculpture is developed mainly from 9th century Pratihara art which was a masterfully refi...
The records of the sculpture exhibited in the classical literature are carried forward here. Althoug...
The historical framework for the discussion is the chronology of Sri Lankan culture, which, based on...
Another feature of Vijayangar [sic] art in the Pandya style is its spiritual dignity which often, un...
In general, the Chola style continued the Pallava and Eastern Chalukan [sic] tradition, which was a ...
Metalwork was one of the most ancient crafts in India, and the forging of iron work was advanced of ...
Detail, upper torso and head; lower hands giving the Abhaya mudra with right hand and Varada mudra w...
There is some tendency in Pala sculpture, exaggerated in the following period of the Senas, [toward]...
Detail, side view of head and torso, wearing the karandamukuta crown with the siraschakra halo in ba...
Overall view from front; giving the Abhaya mudra with right lower hand and Varada mudra with left lo...
One of the most popular aspects of the Great Lord Siva and his wife Parvati (also called Uma or by h...
It has often been observed that Indian sculpture has the graceful character of the dance, and, indee...
The medieval icons of southern India are among the most acclaimed Indian artistic innovations, espec...
The medieval icons of southern India are among the most acclaimed Indian artistic innovations, espec...
Abstract The medieval Sanskrit treaties of India have classified dance into three distinct categorie...
Gahadavala sculpture is developed mainly from 9th century Pratihara art which was a masterfully refi...
The records of the sculpture exhibited in the classical literature are carried forward here. Althoug...
The historical framework for the discussion is the chronology of Sri Lankan culture, which, based on...