This paper argues that the depiction of the character Don Prowse in Patrick White’s The Twyborn Affair offers itself as a space of libidinal investment, and in doing so offers readers of this text an opportunity to re-engage with Australia’s nationalist literary tradition. The hyper-masculine Prowse stands as an emblem of Australia’s cultural heritage, as a link to the ubiquitous bushman of the ubiquitous 1890s. But what does it mean when this character, and by extension this literary tradition, are overtly sexualised, when they become desired and objectified by a desiring reader? Without erasing the prevalent misogyny and homophobia that attend Australia’s literary past, this paper nevertheless seeks to inaugurate a reparative reading of...