It all began with a small, clipped image from a 1940\u27 s Good Housekeeping magazine. There she was: a two inch tall housewife, prim in both her apron and hair style. Her arms were extended: one for balance and one with a cloth for cleaning. I took this cleaning woman image to Kinko \u27 s , the 24 -hour copy center where I spend too much time. There, I made successive photocopies and enlargements until I had a stack of grainy, obviously mechanically reproduced drawings . Back in the studio, with a 4B charcoal pencil and paper, I vigorously drew backgrounds for the cleaning woman in which to do her cleanliness thing. Examples of some of the drawings are: an oil spill, rain forest foliage backed by a cityscape, and a sea turtle swimmin...
This book addresses the question of domestic environmental labour from an ecofeminist perspective. A...
Women and Domesticity is an evolving collection of over 100 hand-embroidered dusters made by members...
Artist, designer and lecturer Vanessa Marr selected traditional dusters as a metaphor for domesticit...
Today, women make up almost half of the labor force in the United States at 46.5%. Yet statistics sh...
From a very young age, I saw my mother and father clean houses as well as my Grandmother and Grandfa...
Over the past ten years I have transformed the duster, a humble yellow cleaning cloth, into an objec...
For most historians there exists a minimal understanding of women’s domestic life in the past. This ...
Women and domesticity - investigating common experiences and perspectives through creative collabora...
The goal of this project is to explore the common domestic experiences and expectations of the moder...
As an art student at a historically women’s college, I place my self-portraits in conversation with ...
‘Expectations of domesticity are inherently female, whilst stitch both empowers and reflects the his...
I want to redefine domesticity and challenge traditional gender roles by rethinking the division of ...
My mother was not a feminist, yet growing up in 1970s suburban north London I was witness to, and co...
Housework, Gender and Subjectivity: Cultures of Domesticity is an exhibition inspired by the work of...
In Mierle Laderman Ukeles’ Touch Sanitation Performance (1979-1980), the artist shook hands with ove...
This book addresses the question of domestic environmental labour from an ecofeminist perspective. A...
Women and Domesticity is an evolving collection of over 100 hand-embroidered dusters made by members...
Artist, designer and lecturer Vanessa Marr selected traditional dusters as a metaphor for domesticit...
Today, women make up almost half of the labor force in the United States at 46.5%. Yet statistics sh...
From a very young age, I saw my mother and father clean houses as well as my Grandmother and Grandfa...
Over the past ten years I have transformed the duster, a humble yellow cleaning cloth, into an objec...
For most historians there exists a minimal understanding of women’s domestic life in the past. This ...
Women and domesticity - investigating common experiences and perspectives through creative collabora...
The goal of this project is to explore the common domestic experiences and expectations of the moder...
As an art student at a historically women’s college, I place my self-portraits in conversation with ...
‘Expectations of domesticity are inherently female, whilst stitch both empowers and reflects the his...
I want to redefine domesticity and challenge traditional gender roles by rethinking the division of ...
My mother was not a feminist, yet growing up in 1970s suburban north London I was witness to, and co...
Housework, Gender and Subjectivity: Cultures of Domesticity is an exhibition inspired by the work of...
In Mierle Laderman Ukeles’ Touch Sanitation Performance (1979-1980), the artist shook hands with ove...
This book addresses the question of domestic environmental labour from an ecofeminist perspective. A...
Women and Domesticity is an evolving collection of over 100 hand-embroidered dusters made by members...
Artist, designer and lecturer Vanessa Marr selected traditional dusters as a metaphor for domesticit...