Irene Morra worked as a negative cutter at D. W. Griffith’s Los Angeles studios before becoming a cutter for Jackie Coogan Productions and Fox Films. She worked as an editor until her retirement in 1958
The file attached to this record is the author's final peer reviewed version. The Publisher's final ...
Women Screenwriters is a study of more than 300 female writers from 60 nations, from the first film ...
This dissertation examines the role of gendered authorship in the U.S. film industry and focuses on ...
Margaret Booth began work as a negative cutter for D. W. Griffith in 1915. After Griffith closed dow...
Viola Lawrence is often credited as Hollywood’s first female film cutter. She began working in film ...
Blanche Sewell entered the ranks of negative cutters shortly after graduating from Inglewood High Sc...
Rose Smith edited a number of D.W. Griffith’s films. According to the Los Angeles Times in 1925, Ros...
Anne Bauchens was a St. Louis, Missouri native who, at the age of twenty, moved to New York City in ...
A Denver native, Loring edited movie trailers before becoming a film cutter for Paramount-Famous Pla...
In 1926, the Los Angeles Times informed readers that “one of the most important positions in the mot...
During the heyday of Hollywood’s studio system, stars were carefully cultivated and promoted, but at...
Known for being one of the youngest scenario editors, male or female, during the silent era, Winifre...
By the time Margery Wilson reached her late twenties, she had completed her work as a film director....
In a 1921 Picturegoer article, Jeanie Macpherson advised prospective writers not to worry about subm...
Josephine Rector’s fleeting career in cinema is inseparable from the Essanay Film Manufacturing Comp...
The file attached to this record is the author's final peer reviewed version. The Publisher's final ...
Women Screenwriters is a study of more than 300 female writers from 60 nations, from the first film ...
This dissertation examines the role of gendered authorship in the U.S. film industry and focuses on ...
Margaret Booth began work as a negative cutter for D. W. Griffith in 1915. After Griffith closed dow...
Viola Lawrence is often credited as Hollywood’s first female film cutter. She began working in film ...
Blanche Sewell entered the ranks of negative cutters shortly after graduating from Inglewood High Sc...
Rose Smith edited a number of D.W. Griffith’s films. According to the Los Angeles Times in 1925, Ros...
Anne Bauchens was a St. Louis, Missouri native who, at the age of twenty, moved to New York City in ...
A Denver native, Loring edited movie trailers before becoming a film cutter for Paramount-Famous Pla...
In 1926, the Los Angeles Times informed readers that “one of the most important positions in the mot...
During the heyday of Hollywood’s studio system, stars were carefully cultivated and promoted, but at...
Known for being one of the youngest scenario editors, male or female, during the silent era, Winifre...
By the time Margery Wilson reached her late twenties, she had completed her work as a film director....
In a 1921 Picturegoer article, Jeanie Macpherson advised prospective writers not to worry about subm...
Josephine Rector’s fleeting career in cinema is inseparable from the Essanay Film Manufacturing Comp...
The file attached to this record is the author's final peer reviewed version. The Publisher's final ...
Women Screenwriters is a study of more than 300 female writers from 60 nations, from the first film ...
This dissertation examines the role of gendered authorship in the U.S. film industry and focuses on ...
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