International audienceThe “Conversations on Choreography” is a series of ongoing discussions of contemporary dance making with a focus on European contexts that were hold from 1999 till 2002. It did not function in the traditional format of a conference or a symposium, but was seeking innovative ways of organising contexts for dialogue and exchange. Keeping the practice of choreography close to the centre of the discussions and debates was essential to the aims of this extended discussion. Invited contributors were writers, educators, dramaturges, choreographers, performers, critics, organisers and researchers. Curated and organized by Scott DeLahunta, the core group included Isabelle Ginot, Myriam Van Imschoot, Andre Lepecki and Diana Theo...
This article aims to draw the reader into an interdisciplinary conversation between the co-authors a...
lmpro Exchange brought together practicing artists primarily from NSW but also from other states in ...
Published in German and English, this chapter is one of deLahunta's major outputs to emerge from a g...
International audienceThe “Conversations on Choreography” is a series of ongoing discussions of cont...
These Proceedings, arising from the 2008 World Dance Alliance Global Summit, reflect both its spirit...
International audienceThis text, commissioned in 2003 by a French festival director, Michel Caserta,...
cote interne IRCAM: DeLahunta07aNone / NoneNational audienceIn this essay the authors report on the ...
International audienceThe collective work Emerging Bodies. The Performance of Dance and Choreography...
International audienceA Paris and Berlin-based Australian choreographer and performer, Rosalind Cris...
International audienceThe collective work Emerging Bodies. The Performance of Dance and Choreography...
For my work, called choreography and acting, I chose the topic based on my own choreography and the ...
In this paper I discuss the development of compositional methods in ballet and draw on my research i...
The dancer’s perspective is crucial to developing the discourse surrounding studio based dance pract...
© 2007 Anny MokotowThis thesis investigates the influence of hybrid theatre practices, media and tec...
En décembre 2012, Joanne Clavel, Sophie Jacotot, Isabelle Launay, Ninon Prouteau-Steinhausser et Vio...
This article aims to draw the reader into an interdisciplinary conversation between the co-authors a...
lmpro Exchange brought together practicing artists primarily from NSW but also from other states in ...
Published in German and English, this chapter is one of deLahunta's major outputs to emerge from a g...
International audienceThe “Conversations on Choreography” is a series of ongoing discussions of cont...
These Proceedings, arising from the 2008 World Dance Alliance Global Summit, reflect both its spirit...
International audienceThis text, commissioned in 2003 by a French festival director, Michel Caserta,...
cote interne IRCAM: DeLahunta07aNone / NoneNational audienceIn this essay the authors report on the ...
International audienceThe collective work Emerging Bodies. The Performance of Dance and Choreography...
International audienceA Paris and Berlin-based Australian choreographer and performer, Rosalind Cris...
International audienceThe collective work Emerging Bodies. The Performance of Dance and Choreography...
For my work, called choreography and acting, I chose the topic based on my own choreography and the ...
In this paper I discuss the development of compositional methods in ballet and draw on my research i...
The dancer’s perspective is crucial to developing the discourse surrounding studio based dance pract...
© 2007 Anny MokotowThis thesis investigates the influence of hybrid theatre practices, media and tec...
En décembre 2012, Joanne Clavel, Sophie Jacotot, Isabelle Launay, Ninon Prouteau-Steinhausser et Vio...
This article aims to draw the reader into an interdisciplinary conversation between the co-authors a...
lmpro Exchange brought together practicing artists primarily from NSW but also from other states in ...
Published in German and English, this chapter is one of deLahunta's major outputs to emerge from a g...