This article sketches the significance of aurality in hypermedia, notes that the field of English studies is constructing the World Wide Web as a verbal and visual medium, and proposes a transtextual framework to aid technical communicators in designing musical hypermedia. Because the study of music on the World Wide Web is nascent, this article includes references to art and film music, whose theories and practices are substantially developed
none1noFaced with the technological, economic and cultural evolutions of the entertainment world, th...
Mit der Entwicklung des Internets entwickelten sich auch spezielle Formen der visuellen und auditive...
The aim of this article is to understand to what extent the ontological status of musical works has ...
This article sketches the significance of aurality in hypermedia, notes that the field of English st...
The article examines some of the consequences of the migration of musical works in cyberspace, parti...
The Internet is an ideal platform for most forms of musicking (Small, 1998): it is now used extensiv...
How is the internet transforming musical practices? In this article, through a study of five promine...
Web technologies are quickly evolving in order to provide an increasing set of services to Internet ...
Web technologies are quickly evolving in order to provide an increasing set of services to Internet ...
The Internet grew from a network of academic resources requiring specialist knowledge, expensive tec...
In this article, we explore a new role for the computer in art as a reector of popular culture. Movi...
This article focusses on presentations of popular music on the internet. By analysing three specific...
This paper describes an exploration of utilizing the World Wide Web for interactive music. The origi...
In the digital domain, music is usually studied from a positivist viewpoint, focusing on general ‘ob...
Online media have a short history. Only twenty years has passed with the moment the first telecommun...
none1noFaced with the technological, economic and cultural evolutions of the entertainment world, th...
Mit der Entwicklung des Internets entwickelten sich auch spezielle Formen der visuellen und auditive...
The aim of this article is to understand to what extent the ontological status of musical works has ...
This article sketches the significance of aurality in hypermedia, notes that the field of English st...
The article examines some of the consequences of the migration of musical works in cyberspace, parti...
The Internet is an ideal platform for most forms of musicking (Small, 1998): it is now used extensiv...
How is the internet transforming musical practices? In this article, through a study of five promine...
Web technologies are quickly evolving in order to provide an increasing set of services to Internet ...
Web technologies are quickly evolving in order to provide an increasing set of services to Internet ...
The Internet grew from a network of academic resources requiring specialist knowledge, expensive tec...
In this article, we explore a new role for the computer in art as a reector of popular culture. Movi...
This article focusses on presentations of popular music on the internet. By analysing three specific...
This paper describes an exploration of utilizing the World Wide Web for interactive music. The origi...
In the digital domain, music is usually studied from a positivist viewpoint, focusing on general ‘ob...
Online media have a short history. Only twenty years has passed with the moment the first telecommun...
none1noFaced with the technological, economic and cultural evolutions of the entertainment world, th...
Mit der Entwicklung des Internets entwickelten sich auch spezielle Formen der visuellen und auditive...
The aim of this article is to understand to what extent the ontological status of musical works has ...