Abstract – This chapter explores the way songs are used in relation to female roles by Shakespeare and Fletcher. Contextual interrelated discourses on music and melancholy are highlighted to show how certain problematic assumptions are reflected and also inverted in the plays considered. Contingent and intermedial, songs help definition of female subjectivity through strategies of vicariousness, which open up paths of alternative meaning within Shakespearean ‘textuality’
The presentation demonstrates improvisation techniques found in manuscript rather than printed sourc...
This chapter tries to reread, or to hear again, examples of the ways popular music has been used in ...
This thesis is an examination of the subject of music in original practices productions of Shakespea...
Abstract – This chapter explores the way songs are used in relation to female roles by Shakespeare a...
Through an investigation grounded on the theoretical and methodological guidelines provided by women...
The central concern of this thesis is the negotiation between the dichotomous qualities with which ~...
In evaluating song in early modem times we see the traveling of music through the culture, an omnipr...
Much research has been done on the integral role of music in Shakespeare's works. Many critics evalu...
This website attempts to identify every music reference in context in each play and in a number of p...
Shakespeare is one of the most widely read figures in literature, but his use of music is not usuall...
From the late seventeenth century (Purcell’s The Fairy-Queen, 1692), Shakespeare’s plays have entere...
It has been generally agreed that music is an important aspect of the Shakespearean drama. While det...
This dissertation explores dramatic music as it refers to the Elizabethan world. It discusses works ...
Three articles, as Part I, II and III, investigate the relationship between poetry and song in the l...
The aim of this thesis is twofold: 1. To investigate the cultural significance of Shakespearean the...
The presentation demonstrates improvisation techniques found in manuscript rather than printed sourc...
This chapter tries to reread, or to hear again, examples of the ways popular music has been used in ...
This thesis is an examination of the subject of music in original practices productions of Shakespea...
Abstract – This chapter explores the way songs are used in relation to female roles by Shakespeare a...
Through an investigation grounded on the theoretical and methodological guidelines provided by women...
The central concern of this thesis is the negotiation between the dichotomous qualities with which ~...
In evaluating song in early modem times we see the traveling of music through the culture, an omnipr...
Much research has been done on the integral role of music in Shakespeare's works. Many critics evalu...
This website attempts to identify every music reference in context in each play and in a number of p...
Shakespeare is one of the most widely read figures in literature, but his use of music is not usuall...
From the late seventeenth century (Purcell’s The Fairy-Queen, 1692), Shakespeare’s plays have entere...
It has been generally agreed that music is an important aspect of the Shakespearean drama. While det...
This dissertation explores dramatic music as it refers to the Elizabethan world. It discusses works ...
Three articles, as Part I, II and III, investigate the relationship between poetry and song in the l...
The aim of this thesis is twofold: 1. To investigate the cultural significance of Shakespearean the...
The presentation demonstrates improvisation techniques found in manuscript rather than printed sourc...
This chapter tries to reread, or to hear again, examples of the ways popular music has been used in ...
This thesis is an examination of the subject of music in original practices productions of Shakespea...