In this article the relation between Breyten Breytenbach’s paintings and poems is discussed focusing on images relating to vision, seeing, looking and eyes. Based on the interpretation of selected paintings, of which some are used on the covers of the volumes of poetry and a number of poems, the conclusion is reached that the same poetics and ars combinatoria underlie painting and writing in Breytenbach’s oeuvre. Seeing, writing and living are opposed to blindness, non-vision, silence and death. In die windvanger (“the wind catcher”) similar motifs are used but the emphasis is changed as the ability to see is more markedly associated with insight and an attempt to understand. 
In Breyten Breytenbach’s poetry the “I” is complex. “I” and “you”, the writer and the reader, are no...
Travelling is a central motive in A Veil of Footsteps (and in Breytenbach’s oeuvre). In this work, t...
“I am no longer one of us”: Breyten and the Afrikaner people - An investigation into the cyclical rh...
In this article the relation between Breyten Breytenbach’s paintings and poems is discussed focusing...
The mirror as blind mouth: The poetry of Breyten Breytenbach The representation of reality, the wo...
The poet Breyten Breytenbach establishes a very specific relation between death and the art of poetr...
Breyten Breytenbach’s multiple and many-sided work ranges from poetry, fiction, drama and essay to d...
Breytenbach’s two volumes, nege landskappe van ons tye bemaak aan ’n beminde (“nine landscapes of ou...
CITATION: Bourgeus, C. & T'Sjoen, Y. 2017. Breyten Breytenbachs poezie in Raster. Tydskrif vir Lette...
From 1969 until 1972 the South-African writer and graphic artist Breyten Breytenbach published 29 po...
From his first book of poetry, die ysterkoei moet sweet (“the iron cow must sweat”, 1964), till his ...
Bibliography: pages 157-163.This dissertation examines the corresponding symbols and imagery in N. P...
This article is an attempt to outline the difference between Breytenbach's poetic method and that of...
In this study, creative relationships between poetry (lexical text) and visual art (‘text’-in-images...
This article is a study of how Breyten Breytenbach deals with the idea of home in his autobiographic...
In Breyten Breytenbach’s poetry the “I” is complex. “I” and “you”, the writer and the reader, are no...
Travelling is a central motive in A Veil of Footsteps (and in Breytenbach’s oeuvre). In this work, t...
“I am no longer one of us”: Breyten and the Afrikaner people - An investigation into the cyclical rh...
In this article the relation between Breyten Breytenbach’s paintings and poems is discussed focusing...
The mirror as blind mouth: The poetry of Breyten Breytenbach The representation of reality, the wo...
The poet Breyten Breytenbach establishes a very specific relation between death and the art of poetr...
Breyten Breytenbach’s multiple and many-sided work ranges from poetry, fiction, drama and essay to d...
Breytenbach’s two volumes, nege landskappe van ons tye bemaak aan ’n beminde (“nine landscapes of ou...
CITATION: Bourgeus, C. & T'Sjoen, Y. 2017. Breyten Breytenbachs poezie in Raster. Tydskrif vir Lette...
From 1969 until 1972 the South-African writer and graphic artist Breyten Breytenbach published 29 po...
From his first book of poetry, die ysterkoei moet sweet (“the iron cow must sweat”, 1964), till his ...
Bibliography: pages 157-163.This dissertation examines the corresponding symbols and imagery in N. P...
This article is an attempt to outline the difference between Breytenbach's poetic method and that of...
In this study, creative relationships between poetry (lexical text) and visual art (‘text’-in-images...
This article is a study of how Breyten Breytenbach deals with the idea of home in his autobiographic...
In Breyten Breytenbach’s poetry the “I” is complex. “I” and “you”, the writer and the reader, are no...
Travelling is a central motive in A Veil of Footsteps (and in Breytenbach’s oeuvre). In this work, t...
“I am no longer one of us”: Breyten and the Afrikaner people - An investigation into the cyclical rh...