Analysis of the career and artistry surrounding the legendary Black filmmaker Oscar Micheaux. Between 1918 and 1948 he made more than 40 “race pictures,” movies made for and about African Americans. Pearl Bowser and Louise Spence concentrate here on the first decade of Micheaux’s career, when Micheaux produced and directed more than twenty silent features and built a reputation as a controversial and maverick entrepreneur. Placing his work firmly within his social and cultural milieu, they also examine Micheaeux’s family and life. The authors provide a close textual analysis of his surviving films (including The Symbol of the Unconquered, Within Our Gates, and Body and Soul), and highlight the rivalry between studios, dilemmas of assimilati...
This thesis gives a thorough analysis of the two films, Guess Who’s Coming to Dinner and Get Out to ...
The most basic idea of American identity is essentially--and paradoxically--universal. Silent film, ...
In my thesis, I am going to analyze three films from two periods which were decisive in black people...
Oscar Micheaux (1884–1951), the African American homesteader, author, and pioneer filmmaker, self-pu...
This thesis investigates the part played by Oscaz Micheaux's Ghns, between 1919 and 1939, in the con...
Autor omawia początki kina afroamerykańskiego na przykładzie twórczości Oscara Micheaux (1884-1951) ...
As the oldest surviving film by an African American director, Oscar Micheaux’s Within Our Gates (192...
By excluding certain groups, like African Americans, from favorable and prominent roles in the cinem...
The purpose of this dissertation is to analyze six of Oscar Micheaux\u27s seven popular stylized Afr...
Celem pracy magisterskiej jest przedstawienie twórczości Oscara Micheaux, który nie zgadzał się ze s...
The filmographies of Black directors Oscar Micheaux and Spike Lee center, among other things, on rac...
The author of The Butler and Showdown examines 100 years of Black movies--using the struggles and tr...
In the first decades of the twentieth century, five African-American women filmmakers helped to esta...
Informational pages for Oscar Micheaux Commemorative Stamp – Black Heritage Series, includes images ...
The article sets out with a methodological founding for a semio-historical analysis of the film La M...
This thesis gives a thorough analysis of the two films, Guess Who’s Coming to Dinner and Get Out to ...
The most basic idea of American identity is essentially--and paradoxically--universal. Silent film, ...
In my thesis, I am going to analyze three films from two periods which were decisive in black people...
Oscar Micheaux (1884–1951), the African American homesteader, author, and pioneer filmmaker, self-pu...
This thesis investigates the part played by Oscaz Micheaux's Ghns, between 1919 and 1939, in the con...
Autor omawia początki kina afroamerykańskiego na przykładzie twórczości Oscara Micheaux (1884-1951) ...
As the oldest surviving film by an African American director, Oscar Micheaux’s Within Our Gates (192...
By excluding certain groups, like African Americans, from favorable and prominent roles in the cinem...
The purpose of this dissertation is to analyze six of Oscar Micheaux\u27s seven popular stylized Afr...
Celem pracy magisterskiej jest przedstawienie twórczości Oscara Micheaux, który nie zgadzał się ze s...
The filmographies of Black directors Oscar Micheaux and Spike Lee center, among other things, on rac...
The author of The Butler and Showdown examines 100 years of Black movies--using the struggles and tr...
In the first decades of the twentieth century, five African-American women filmmakers helped to esta...
Informational pages for Oscar Micheaux Commemorative Stamp – Black Heritage Series, includes images ...
The article sets out with a methodological founding for a semio-historical analysis of the film La M...
This thesis gives a thorough analysis of the two films, Guess Who’s Coming to Dinner and Get Out to ...
The most basic idea of American identity is essentially--and paradoxically--universal. Silent film, ...
In my thesis, I am going to analyze three films from two periods which were decisive in black people...