Add to ORKGTourist art production is a global phenomenon and is increasingly recognized as an important and authentic expression of indigenous visual traditions. These thoughtful, engaging essays provide a comparative perspective on the history, character, and impact of tourist art in colonized societies in three areas of the world: Africa, Oceania, and North America. Ranging broadly historically and geographically, Unpacking Culture is the first collection to bring together substantial case studies on this topic from around the world
"Tourism is vital to the economies of most Pacific nations and as such is an important site for the ...
This article explores the phenomenon of tourist art in Nepal, as narratives of cultural imaginings, ...
With reference to cultural goods, this paper describes the African cultural heritage, stresses its r...
Item does not contain fulltextThe contemporary visual arts of non-Western peoples are increasingly p...
From postcards and paintings to photography and film, tourism and visual culture have a long-standin...
How have imperialism and its after-effects impacted patterns of cultural exchange, artistic creativi...
The Proceedings of the 32nd International Congress of Art Historians (CIHA), University of Melbourne...
World's fairs and expositions have long served as important sites of cultural display. From their ea...
Museum collections are often perceived as static entities hidden away in storerooms or trapped behin...
The transformation of Musée Guimet and the transition of museums in the ‘countries of origin’ of its...
This article investigates how cultural circulation of art may be considered from two different persp...
The thesis arises from ethnographic research with artists and arts coordinators from various Indigen...
The authors discuss the history of "Indians" in North America, and describe Pre-Colombian art produc...
"Throwing open to debate the practices of museums, galleries, and festivals, Exhibiting Cultures pro...
Double Desire challenges the tendency of critics to perpetuate an aesthetic apartheid between Indige...
"Tourism is vital to the economies of most Pacific nations and as such is an important site for the ...
This article explores the phenomenon of tourist art in Nepal, as narratives of cultural imaginings, ...
With reference to cultural goods, this paper describes the African cultural heritage, stresses its r...
Item does not contain fulltextThe contemporary visual arts of non-Western peoples are increasingly p...
From postcards and paintings to photography and film, tourism and visual culture have a long-standin...
How have imperialism and its after-effects impacted patterns of cultural exchange, artistic creativi...
The Proceedings of the 32nd International Congress of Art Historians (CIHA), University of Melbourne...
World's fairs and expositions have long served as important sites of cultural display. From their ea...
Museum collections are often perceived as static entities hidden away in storerooms or trapped behin...
The transformation of Musée Guimet and the transition of museums in the ‘countries of origin’ of its...
This article investigates how cultural circulation of art may be considered from two different persp...
The thesis arises from ethnographic research with artists and arts coordinators from various Indigen...
The authors discuss the history of "Indians" in North America, and describe Pre-Colombian art produc...
"Throwing open to debate the practices of museums, galleries, and festivals, Exhibiting Cultures pro...
Double Desire challenges the tendency of critics to perpetuate an aesthetic apartheid between Indige...
"Tourism is vital to the economies of most Pacific nations and as such is an important site for the ...
This article explores the phenomenon of tourist art in Nepal, as narratives of cultural imaginings, ...
With reference to cultural goods, this paper describes the African cultural heritage, stresses its r...