The "sobbing" vocal quality in many traditional songs of northwestern California Indian tribes inspired the title of Richard Keeling's comprehensive study. Little has been known about the music of aboriginal Californians, and Cry for Luck will be welcomed by those who see the interpretation of music as a key to understanding other aspects of Native American religion and culture.Among the Yurok, Hupa, and Karok peoples, medicine songs and spoken formulas were applied to a range of activities from hunting deer to curing an upset stomach or gaining power over an uninterested member of the opposite sex. Keeling inventories 216 specific forms of "medicine" and explains the cosmological beliefs on which they were founded. This music is a living t...
The Mi'kmaq are an Indigenous people in northeastern North America. In their culture, sound, music, ...
The musical tradition of the Pueblo Indians calls for both the performance and the "renewal" of song...
How does music shape the experience of the sacred? This chapter looks at two genres of North America...
In presenting this issue of the Journal devoted to music and the expressive arts in general, we hope...
ETHNOGRAPHIC INTRODUCTION In the years before 1850 the Indians who lived along the lower reaches of ...
The Indigenous traditions and experiences of instrumental music in North America are as varied and d...
The purpose of this research was to fill-in a gap within powwow literature: little has been written ...
This paper sketches the principal music and culture areas of native California and identifies genera...
The first Americans, the American Indians, have for centuries valued music as an integral part of th...
Slahal is a gambling game played by North American natives on the North Pacific coast. This activity...
In the current climate of American Indian culture in the United States, the impact of the internet o...
How does music shape the experience of the sacred? This chapter looks at two genres of North America...
454 p.Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1988.The two-part thesis of this s...
The thesis attempts to fill one of the many gaps in the research of Northwest Coast Indian musics by...
ABSTRACT. The findings are presented of ethnomusicologicd research in several Eskimo communities of ...
The Mi'kmaq are an Indigenous people in northeastern North America. In their culture, sound, music, ...
The musical tradition of the Pueblo Indians calls for both the performance and the "renewal" of song...
How does music shape the experience of the sacred? This chapter looks at two genres of North America...
In presenting this issue of the Journal devoted to music and the expressive arts in general, we hope...
ETHNOGRAPHIC INTRODUCTION In the years before 1850 the Indians who lived along the lower reaches of ...
The Indigenous traditions and experiences of instrumental music in North America are as varied and d...
The purpose of this research was to fill-in a gap within powwow literature: little has been written ...
This paper sketches the principal music and culture areas of native California and identifies genera...
The first Americans, the American Indians, have for centuries valued music as an integral part of th...
Slahal is a gambling game played by North American natives on the North Pacific coast. This activity...
In the current climate of American Indian culture in the United States, the impact of the internet o...
How does music shape the experience of the sacred? This chapter looks at two genres of North America...
454 p.Thesis (Ph.D.)--University of Illinois at Urbana-Champaign, 1988.The two-part thesis of this s...
The thesis attempts to fill one of the many gaps in the research of Northwest Coast Indian musics by...
ABSTRACT. The findings are presented of ethnomusicologicd research in several Eskimo communities of ...
The Mi'kmaq are an Indigenous people in northeastern North America. In their culture, sound, music, ...
The musical tradition of the Pueblo Indians calls for both the performance and the "renewal" of song...
How does music shape the experience of the sacred? This chapter looks at two genres of North America...