Naked holy men denying sexuality and feeling; elderly people basking in the warmth and security provided by devoted and attentive family members; fastidious priests concerned solely with rules of purity and minutiae of ritual practice; puritanical moralists concealing women and sexuality behind purdah's veils - these are familiar Western stereotypes of India. The essays in Divine Passions , however, paint other, more colorful and emotionally alive pictures of India: ecstatic religious devotees rolling in temple dust; gray-haired elders worrying about neglect and mistreatment by family members; priests pursuing a lusty, carefree ideal of the good life; and jokers reviling one another with bawdy, sexual insults at marriages.Drawing on rich et...
With this dissertation, I investigate the question of how the Self Respect Movement, with its reject...
Indian depictions of human-beings focus on their inherent “goodness” deriving from the divine essenc...
Thesis by publication.Bibliography: pages: 88-98.Chapter 1. Prologue -- Chapter 2. Paper 1. Towards ...
Toffin Gérard. O. M. Lynch, ed., Divine Passions. The Social Construction of Emotion in India. In: L...
This article explores the relationship between schizophrenia, divine encounters, and therapeutics ba...
The basic theme of this volume explores how the religious ideal of ecstacy is central to the cross-f...
A stimulating account of the wide range of approaches towards conceptualising emotions in classical ...
The article explores recent thinking on the 'hard emotions', in particular, grief, sorrow and mourni...
There is in India a widespread theological view according to which the limitations of human beings m...
Stereotypically India is seen as a very spiritual country. The same applies to Indians, especially ...
The presentation begins with the moving scene of Va¯lmi¯ki\u27s grief over the bereavement...
This is a preprint (author's original) version of the article published in American Ethnologist 19:6...
A stimulating account of the wide range of approaches towards conceptualising emotions in classical ...
Any discussion of India from the point of view of the West must deal with the problem posed by the c...
The dissertation explores the problematic of idolatry in relation to literary and scholarly repres...
With this dissertation, I investigate the question of how the Self Respect Movement, with its reject...
Indian depictions of human-beings focus on their inherent “goodness” deriving from the divine essenc...
Thesis by publication.Bibliography: pages: 88-98.Chapter 1. Prologue -- Chapter 2. Paper 1. Towards ...
Toffin Gérard. O. M. Lynch, ed., Divine Passions. The Social Construction of Emotion in India. In: L...
This article explores the relationship between schizophrenia, divine encounters, and therapeutics ba...
The basic theme of this volume explores how the religious ideal of ecstacy is central to the cross-f...
A stimulating account of the wide range of approaches towards conceptualising emotions in classical ...
The article explores recent thinking on the 'hard emotions', in particular, grief, sorrow and mourni...
There is in India a widespread theological view according to which the limitations of human beings m...
Stereotypically India is seen as a very spiritual country. The same applies to Indians, especially ...
The presentation begins with the moving scene of Va¯lmi¯ki\u27s grief over the bereavement...
This is a preprint (author's original) version of the article published in American Ethnologist 19:6...
A stimulating account of the wide range of approaches towards conceptualising emotions in classical ...
Any discussion of India from the point of view of the West must deal with the problem posed by the c...
The dissertation explores the problematic of idolatry in relation to literary and scholarly repres...
With this dissertation, I investigate the question of how the Self Respect Movement, with its reject...
Indian depictions of human-beings focus on their inherent “goodness” deriving from the divine essenc...
Thesis by publication.Bibliography: pages: 88-98.Chapter 1. Prologue -- Chapter 2. Paper 1. Towards ...