Add to ORKGBased on the presumption that the Internet cannot be treated as a homogeneous medium but more as a set of environments, the way in which fans of Harry Potter books and movies grasp opportunities given by environments such as World Wide Web and Live Journal to embed in them the variety of their practices is presented
By explicating the most prominent forms of participatory fan-art produced and consumed by members of...
Fans constitute a very special kind of audience. They have been marginalized, ridiculed and stigmati...
Who reads and writes fan fiction—and why—has long been a central concern of fan studies. Indeed, man...
This thesis uses ethnographic research into online media fandom, focusing on self-reflexive analyti...
Introduction: The aim of this research is to determine whether users of interactive websites (which ...
Introduction: The aim of this research is to determine whether users of interactive websites (which ...
This thesis examines the dynamic and changing nature of reader response in the time of online fandom...
This thesis seeks to answer the question “Why are there communities on the Internet that read and wr...
This thesis examines the dynamic and changing nature of reader response in the time of online fandom...
In studying how fans live their lives online, a common lens has been to consider fandom as fan commu...
This article draws attention to latest online fandom practices that take place in online participato...
As the Internet is playing an increasing role in our lives and consciousness, literary scholars are ...
The thesis begins by acknowledging the writer's status as a fan. The stimulus for the enquiry emerge...
Female coterie writing groups have had certain characteristics in common across centuries that can ...
Media fans often refer to their texts, practices, productions, and selves as works in progress—unfin...
By explicating the most prominent forms of participatory fan-art produced and consumed by members of...
Fans constitute a very special kind of audience. They have been marginalized, ridiculed and stigmati...
Who reads and writes fan fiction—and why—has long been a central concern of fan studies. Indeed, man...
This thesis uses ethnographic research into online media fandom, focusing on self-reflexive analyti...
Introduction: The aim of this research is to determine whether users of interactive websites (which ...
Introduction: The aim of this research is to determine whether users of interactive websites (which ...
This thesis examines the dynamic and changing nature of reader response in the time of online fandom...
This thesis seeks to answer the question “Why are there communities on the Internet that read and wr...
This thesis examines the dynamic and changing nature of reader response in the time of online fandom...
In studying how fans live their lives online, a common lens has been to consider fandom as fan commu...
This article draws attention to latest online fandom practices that take place in online participato...
As the Internet is playing an increasing role in our lives and consciousness, literary scholars are ...
The thesis begins by acknowledging the writer's status as a fan. The stimulus for the enquiry emerge...
Female coterie writing groups have had certain characteristics in common across centuries that can ...
Media fans often refer to their texts, practices, productions, and selves as works in progress—unfin...
By explicating the most prominent forms of participatory fan-art produced and consumed by members of...
Fans constitute a very special kind of audience. They have been marginalized, ridiculed and stigmati...
Who reads and writes fan fiction—and why—has long been a central concern of fan studies. Indeed, man...