In this paper I will discuss the way that Winton blurs the usual distinction between first and third person narrative. The narrator frequently switches from third person to first person, which lends weight to Saito's argument that, in fiction writing, a third person narrator is really a potential first person "I-narrator". A so-called third person narrator is created by the author as a tool to communicate with the reader, and as such, is in effect a character. The absence the pronoun 'I' does not make the narrator less of a character than any other character mentioned more explicitly in the story. This suggests that the generally accepted division based on pronominal use, or more specifically the presence or absence of the pronoun 'I', is n...
AbstractHaving a storyteller is a vital element for any story: a narrative voice, real or implied, t...
Questions of point of view are pivotal in fictional texts and determine what story, precisely, the a...
The introduction to this thesis discusses and evaluates first-person narration in the context of poi...
In this paper I will discuss the way that Winton blurs the usual distinction between first and third...
The proposed model foregrounds the category PERSON by following E. Benveniste as to the fundamental ...
The Australian Patrick White's novel, The Solid Mandala, is a useful test-case for theories of the t...
First-person narratives, in stylistics, are held to be straightforward as regards point of view: sin...
Narrations become very important such that, we tend to try to make others want to fit into them to i...
The paper investigates aspects of the contribution of indexicals to sentence meaning when the contex...
“Botchan” is a story generated by the first person “Ore” write and speak to someone. Narration of “B...
Recent years have seen a considerable rise in interest in fiction that challenges existing narratolo...
International audienceThe article focuses on the specific use of the second person pronoun in Iain B...
In The Cambridge Introduction to Narrative, author H. Porter Abbott defines narrative as “the repres...
The present paper has discussed how the speaker expresses her perspective toward a discourse topic. ...
Shifting Points of View in First-Person Narratives: Philip Roth’s The Human Stain and Jean Echenoz’ ...
AbstractHaving a storyteller is a vital element for any story: a narrative voice, real or implied, t...
Questions of point of view are pivotal in fictional texts and determine what story, precisely, the a...
The introduction to this thesis discusses and evaluates first-person narration in the context of poi...
In this paper I will discuss the way that Winton blurs the usual distinction between first and third...
The proposed model foregrounds the category PERSON by following E. Benveniste as to the fundamental ...
The Australian Patrick White's novel, The Solid Mandala, is a useful test-case for theories of the t...
First-person narratives, in stylistics, are held to be straightforward as regards point of view: sin...
Narrations become very important such that, we tend to try to make others want to fit into them to i...
The paper investigates aspects of the contribution of indexicals to sentence meaning when the contex...
“Botchan” is a story generated by the first person “Ore” write and speak to someone. Narration of “B...
Recent years have seen a considerable rise in interest in fiction that challenges existing narratolo...
International audienceThe article focuses on the specific use of the second person pronoun in Iain B...
In The Cambridge Introduction to Narrative, author H. Porter Abbott defines narrative as “the repres...
The present paper has discussed how the speaker expresses her perspective toward a discourse topic. ...
Shifting Points of View in First-Person Narratives: Philip Roth’s The Human Stain and Jean Echenoz’ ...
AbstractHaving a storyteller is a vital element for any story: a narrative voice, real or implied, t...
Questions of point of view are pivotal in fictional texts and determine what story, precisely, the a...
The introduction to this thesis discusses and evaluates first-person narration in the context of poi...