Add to ORKGFor over two centuries, New York City’s arts and culture have been enhanced by visionary founders of museums designed to house collections the founders themselves treasured. That tradition continues with the installation of a remarkable collection in the equally remarkable transformation of a former clothing store. The Rooftops Project’s Payal Thakkar and Professor James Hagy visit with Patrick Sears, Executive Director of The Rubin Museum of Art in New York City.https://digitalcommons.nyls.edu/rooftops_project/1026/thumbnail.jp
In a conversation with Kelly Padden and Professor James Hagy of The Rooftops Project, Jon Denham and...
Rooftops Project Profile - Human Rights Watch - Every day, not-for-profit organizations face “stay o...
This piece is a review of Saving Place: 50 Years of New York City Landmarks at the Museum of the C...
Picture yourself leading a museum tucked into a 21st-century residential neighborhood, housed in a m...
Few not-for-profit cultural or historic sites can be traced through a single thread, from heritage i...
Featuring these New York City not-for-profit institutions: The Art Students League of New York; The ...
A historic but disused water pumping station, sited between active freeways, became an early and end...
What might it be like if your not-for-profit was responsible for projects with occupants consisting ...
Any natural history or science museum would be proud to haev the diversity of collections and progra...
Few not-for-profit organizations can claim to have made a dramatic, permanent, outdoor visual impact...
In this first article in his series looking at not-for-profits as urban neighbors, Professor James H...
Opened in New York on October 2, 2004, the Rubin Museum of Art (RMA)'s mission is "to establish, pre...
A religious congregation envisions a new building better suited to its needs than its existing facil...
How can arts organizations with an aspiration to build their own facilities connect project design b...
Benjamin Webb discusses the rewards and challenges of being responsible for facilities management an...
In a conversation with Kelly Padden and Professor James Hagy of The Rooftops Project, Jon Denham and...
Rooftops Project Profile - Human Rights Watch - Every day, not-for-profit organizations face “stay o...
This piece is a review of Saving Place: 50 Years of New York City Landmarks at the Museum of the C...
Picture yourself leading a museum tucked into a 21st-century residential neighborhood, housed in a m...
Few not-for-profit cultural or historic sites can be traced through a single thread, from heritage i...
Featuring these New York City not-for-profit institutions: The Art Students League of New York; The ...
A historic but disused water pumping station, sited between active freeways, became an early and end...
What might it be like if your not-for-profit was responsible for projects with occupants consisting ...
Any natural history or science museum would be proud to haev the diversity of collections and progra...
Few not-for-profit organizations can claim to have made a dramatic, permanent, outdoor visual impact...
In this first article in his series looking at not-for-profits as urban neighbors, Professor James H...
Opened in New York on October 2, 2004, the Rubin Museum of Art (RMA)'s mission is "to establish, pre...
A religious congregation envisions a new building better suited to its needs than its existing facil...
How can arts organizations with an aspiration to build their own facilities connect project design b...
Benjamin Webb discusses the rewards and challenges of being responsible for facilities management an...
In a conversation with Kelly Padden and Professor James Hagy of The Rooftops Project, Jon Denham and...
Rooftops Project Profile - Human Rights Watch - Every day, not-for-profit organizations face “stay o...
This piece is a review of Saving Place: 50 Years of New York City Landmarks at the Museum of the C...