Ethnomusicologist Bau Graves has written about Maurice Gagnon (1927-1973): “Maurice Gagnon is remembered as a dynamic performer by those who him play. At the age of ten, he was already an ace harmonica player and could attract an audience and earn money playing in clubs. He played a repertoire of jigs and reels and also composed a number of tunes some of which he recorded as 45’s and one LP album. These recordings, released between 1964 and 1970, are a historical scarcity: only a relative handful of disks of traditional Maine Franco-American music have ever been available to the public.”https://digitalcommons.usm.maine.edu/franco-music-traditions/1002/thumbnail.jp
Gordon Smith poursuit son étude d ’Ernest Gagnon; en particulier il vise l’importance de la musique ...
Chuck Frechette, Bill Beauchesne, and Marcel Larrivee [L to R] have performed together since 1965. T...
My presentation will explore the relationship between the fiddle playing of Buncombe County’s Marcus...
Ethnomusicologist Bau Graves has written about Maurice Gagnon (1927-1973): “Maurice Gagnon is rememb...
In the 1960’s, church services experimented with folk masses. As part of her responsibilities as mus...
c.1948-1949https://digitalcommons.usm.maine.edu/franco-music-traditions/1012/thumbnail.jp
Gordon Smith démontre l'importance historique de l'oeuvre de Ernest Gagnon: Chansons populaires du C...
c. 1940https://digitalcommons.usm.maine.edu/franco-music-traditions/1004/thumbnail.jp
In this paper I discuss ideas of collectors (Édouard-Zotique Massicotte and Marius Barbeau) vis-à-vi...
Photo faisant partie d'une série associée à une dissertation trimestrielle d'étudiant(e) en folklore...
Jigs, Reels, and “Realness”: An Investigation of Ideas of Authenticity and Tradition in New England ...
We are inviting to the University of Maine a third generation Franco-American fiddler, Donna Hébert,...
Joseph Poulin, an accomplished musician, was a violinist with the Portland Symphony and director of ...
French Canadian folksong collections are complex sources of oral history. They contribute a valuable...
Photo faisant partie d'une série associée à une dissertation trimestrielle d'étudiant(e) en folklore...
Gordon Smith poursuit son étude d ’Ernest Gagnon; en particulier il vise l’importance de la musique ...
Chuck Frechette, Bill Beauchesne, and Marcel Larrivee [L to R] have performed together since 1965. T...
My presentation will explore the relationship between the fiddle playing of Buncombe County’s Marcus...
Ethnomusicologist Bau Graves has written about Maurice Gagnon (1927-1973): “Maurice Gagnon is rememb...
In the 1960’s, church services experimented with folk masses. As part of her responsibilities as mus...
c.1948-1949https://digitalcommons.usm.maine.edu/franco-music-traditions/1012/thumbnail.jp
Gordon Smith démontre l'importance historique de l'oeuvre de Ernest Gagnon: Chansons populaires du C...
c. 1940https://digitalcommons.usm.maine.edu/franco-music-traditions/1004/thumbnail.jp
In this paper I discuss ideas of collectors (Édouard-Zotique Massicotte and Marius Barbeau) vis-à-vi...
Photo faisant partie d'une série associée à une dissertation trimestrielle d'étudiant(e) en folklore...
Jigs, Reels, and “Realness”: An Investigation of Ideas of Authenticity and Tradition in New England ...
We are inviting to the University of Maine a third generation Franco-American fiddler, Donna Hébert,...
Joseph Poulin, an accomplished musician, was a violinist with the Portland Symphony and director of ...
French Canadian folksong collections are complex sources of oral history. They contribute a valuable...
Photo faisant partie d'une série associée à une dissertation trimestrielle d'étudiant(e) en folklore...
Gordon Smith poursuit son étude d ’Ernest Gagnon; en particulier il vise l’importance de la musique ...
Chuck Frechette, Bill Beauchesne, and Marcel Larrivee [L to R] have performed together since 1965. T...
My presentation will explore the relationship between the fiddle playing of Buncombe County’s Marcus...