Add to ORKGKent Ryden does not deny that the natural landscape of New England is shaped by many centuries of human manipulation, but he also takes the view that nature is everywhere, close to home as well as in more remote wilderness, in the city and in the countryside. In Landscape with Figures he dissolves the border between culture and nature to merge ideas about nature, experiences in nature, and material alterations of nature. Ryden takes his readers from the printed page directly to the field and back again-. He often bypasses books and goes to the trees from which they are made and the landscapes they evoke, then returns with a renewed appreciation for just what an interdisciplinary, historically informed approach can bring to our understandin...
The interaction of man with his environment rests in a linear relationship of representation, form m...
The interaction between writing and landscape is central to Romanticism. Nonfictional prose plays a ...
In the mid-nineteenth century, artists and writers consciously worked together to express the power ...
A Landscape History of New England takes a view of New England\u27s landscapes that goes beyond pict...
Kent Ryden, Associate Professor of American and New England Studies at the University of Southern Ma...
Since the nineteenth century, popular literature has presented two competing views of the northeaste...
This project investigates two structures by which New Englanders have historically ordered their lan...
This thesis concerns the cultural and scientific practices involved with turn-of-the-century strugg...
The essays in Maine’s Place in the Environmental Imagination address – from a variety of perspective...
The subject of Town and Country: Landscape in American Art seems an appropriate topic particularly i...
Environmental history explores the relationship between people and the natural world in the past: ho...
Everywhere we go in rural New England, the past surrounds us. In the woods and fields and along coun...
In the mid-nineteenth century, artists and writers consciously worked together to express the power ...
The Changing Nature of the Maine Woods is both a fascinating introduction to the forests of Maine an...
The rapidly developing field of transatlantic studies has opened up new opportunities to chart how i...
The interaction of man with his environment rests in a linear relationship of representation, form m...
The interaction between writing and landscape is central to Romanticism. Nonfictional prose plays a ...
In the mid-nineteenth century, artists and writers consciously worked together to express the power ...
A Landscape History of New England takes a view of New England\u27s landscapes that goes beyond pict...
Kent Ryden, Associate Professor of American and New England Studies at the University of Southern Ma...
Since the nineteenth century, popular literature has presented two competing views of the northeaste...
This project investigates two structures by which New Englanders have historically ordered their lan...
This thesis concerns the cultural and scientific practices involved with turn-of-the-century strugg...
The essays in Maine’s Place in the Environmental Imagination address – from a variety of perspective...
The subject of Town and Country: Landscape in American Art seems an appropriate topic particularly i...
Environmental history explores the relationship between people and the natural world in the past: ho...
Everywhere we go in rural New England, the past surrounds us. In the woods and fields and along coun...
In the mid-nineteenth century, artists and writers consciously worked together to express the power ...
The Changing Nature of the Maine Woods is both a fascinating introduction to the forests of Maine an...
The rapidly developing field of transatlantic studies has opened up new opportunities to chart how i...
The interaction of man with his environment rests in a linear relationship of representation, form m...
The interaction between writing and landscape is central to Romanticism. Nonfictional prose plays a ...
In the mid-nineteenth century, artists and writers consciously worked together to express the power ...