This article contributes to the substantial body of publications on South African jazz with information on jazz performance and performers in New Brighton, a township adjacent to Port Elizabeth noted for its vibrant jazz scene and outstanding jazz musicians. The article covers several decades from the heyday of swing bands in the 1940s–50s through the 1960s–70s when New Brighton’s premier jazz combo, the Soul Jazzmen, were at the height of their artistry. The role of swing bands in New Brighton and surrounding communities as the training ground for members of the Soul Jazzmen and other local musicians of note is discussed, as well as how the Soul Jazzmen in turn were tutors for musicians of the next generation who became widely recogn...
This dissertation explores specific historical moments in British jazz history and places special em...
Article traces the decline of Portland\u27s jazz scene in recent years by telling the story of the n...
South African jazz has established itself as a distinct and influential genre in modern popular musi...
This article contributes to the substantial body of publications on South African jazz with informat...
There has been insufficient academic research on the music of the Eastern Cape in general and Port E...
Photocopied article from the Classic Johannesburg Quarterly (Vol.1) about jazz origins in South Afri...
Associated with the local swing style usually described as African jazz, Edmund “Ntemi†Piliso wa...
Bibliography: leaves 173-184.This thesis considers aspects of jazz and dance band performance in Cap...
Photocopied article from the newspaper The Independent on Sunday about a concert by the Jazz Band Di...
Photocopied article from the English newspaper The Post about Chris McGregor's Brotherhood of Breath...
Photocopied article from the magazine The New African about multi-racial bands in South Africa. Ther...
no abstract --- JSTOR link to article (restricted access) https://www.jstor.org/stable/4465114
“This is an Accepted Manuscript of an article published by Taylor & Francis in "Safundi: The Journal...
Photocopied article from the newspaper The Daily Dispatch about Albert Spaargaren, a jazz musician
Photocopied article from the newspaper The Daily Dispatch about the jazz music revival in East Londo
This dissertation explores specific historical moments in British jazz history and places special em...
Article traces the decline of Portland\u27s jazz scene in recent years by telling the story of the n...
South African jazz has established itself as a distinct and influential genre in modern popular musi...
This article contributes to the substantial body of publications on South African jazz with informat...
There has been insufficient academic research on the music of the Eastern Cape in general and Port E...
Photocopied article from the Classic Johannesburg Quarterly (Vol.1) about jazz origins in South Afri...
Associated with the local swing style usually described as African jazz, Edmund “Ntemi†Piliso wa...
Bibliography: leaves 173-184.This thesis considers aspects of jazz and dance band performance in Cap...
Photocopied article from the newspaper The Independent on Sunday about a concert by the Jazz Band Di...
Photocopied article from the English newspaper The Post about Chris McGregor's Brotherhood of Breath...
Photocopied article from the magazine The New African about multi-racial bands in South Africa. Ther...
no abstract --- JSTOR link to article (restricted access) https://www.jstor.org/stable/4465114
“This is an Accepted Manuscript of an article published by Taylor & Francis in "Safundi: The Journal...
Photocopied article from the newspaper The Daily Dispatch about Albert Spaargaren, a jazz musician
Photocopied article from the newspaper The Daily Dispatch about the jazz music revival in East Londo
This dissertation explores specific historical moments in British jazz history and places special em...
Article traces the decline of Portland\u27s jazz scene in recent years by telling the story of the n...
South African jazz has established itself as a distinct and influential genre in modern popular musi...