Tusona ideographs and amadinda compositions are not merely ‘art’ or ‘music’ in the Western sense. They are little closed systems of functional and causal relationships, little universes without exits. The minds who created them must have been researchers in the basic sense of the word. By creating the self-contained mini-universes of these configurations they also created mini-replicas of what our macro-universe may ultimately be like. They discovered abstract relationships which are not man-made, which come about and exist without human deliberation. And it must have become an immense passion once these ancients were on the track of such discoveries. The infinite proliferations in both traditions are proof enough of a persevering e...
Collective representations of “time” do not passively reflect time, but time and space a...
From the practitioner’s perspective, the study of African music seems misaligned with the enterprise...
The late-nineteenth century was a particularly ripe period for musical exoticism, the Western repres...
The music of Africa has long intrigued many Westerners. From scattered comments in the accounts of e...
The topic of this thesis is time in the West African novel in English and French, and the key approa...
Time, as expressed in musical rhythm, has been the focus of numerous musicological studies. Cyclic t...
Ethnomusicologists and students of African music have too often become involved in the technicalitie...
The purpose of this paper is, therefore, to investigate in detail how musical time is arrived at, an...
Collective representations of “time” do not passively reflect time, but time and space are mediated ...
No traveller in Africa today, exploring African culture, can be unaware of the central place occupie...
Music is as old as man himself. The origin of music can be looked for in natural phenomena like the ...
"Simultaneous multidimensionality" names a condition prevalent in many African traditions of perform...
Music and dance, like any other form of cultural expression, is subject to both continuity and chang...
Of all the arts in Africa music is perhaps the most widely spread, the most narrowly subdued, and th...
Music and dance, like any other form of cultural expression, is subject to both continuity and chang...
Collective representations of “time” do not passively reflect time, but time and space a...
From the practitioner’s perspective, the study of African music seems misaligned with the enterprise...
The late-nineteenth century was a particularly ripe period for musical exoticism, the Western repres...
The music of Africa has long intrigued many Westerners. From scattered comments in the accounts of e...
The topic of this thesis is time in the West African novel in English and French, and the key approa...
Time, as expressed in musical rhythm, has been the focus of numerous musicological studies. Cyclic t...
Ethnomusicologists and students of African music have too often become involved in the technicalitie...
The purpose of this paper is, therefore, to investigate in detail how musical time is arrived at, an...
Collective representations of “time” do not passively reflect time, but time and space are mediated ...
No traveller in Africa today, exploring African culture, can be unaware of the central place occupie...
Music is as old as man himself. The origin of music can be looked for in natural phenomena like the ...
"Simultaneous multidimensionality" names a condition prevalent in many African traditions of perform...
Music and dance, like any other form of cultural expression, is subject to both continuity and chang...
Of all the arts in Africa music is perhaps the most widely spread, the most narrowly subdued, and th...
Music and dance, like any other form of cultural expression, is subject to both continuity and chang...
Collective representations of “time” do not passively reflect time, but time and space a...
From the practitioner’s perspective, the study of African music seems misaligned with the enterprise...
The late-nineteenth century was a particularly ripe period for musical exoticism, the Western repres...