The recreational music of the West African people is more subject to change than any other type of music, for it is not ceremonially or socially bound to tribal institutions. Innovations and alterations in this music are not generally prohibited by tradition. Thus it has been changed by outside influences, individuals within the society, and integration with other societies. This music is transient: the forms and styles may persist for a short time and then disappear when new forms are introduced. Konkomba, Adidegbo, and Kolomashie, recreational music that was popular a short time ago, are today only a memory
It has been estimated that some twenty million Africans have become Christians; more than the total ...
Folk music in Nigeria evolved as a corporate communal experience. It has been sustained as such, and...
This article provides a review of Western and African music. The study made a comparison of Western ...
In Ghana two new musical traditions have emerged as a result of the forces of acculturation out of w...
Nigerian musical practice can be divided into three categories for analysis: indigenous or tribal fo...
Among the Ewe-speaking people of southeastern Ghana, southern Togoland and southern Dahomey, there a...
There is hardly any aspect of life without the involvement of any of the diverse arrays of styles ex...
In this honors thesis, I examine the ways in which Ghanaian highlife, a 20th century hybrid popular ...
Music is as old as man himself. The origin of music can be looked for in natural phenomena like the ...
This is a study of the role of popular expressive culture in change in Africa. It examines musicians...
Music constitutes the bed-rock, the grass roots of popular consciousness.-Ronnie Graham ...
The specialization which the requirements of social life bring into the content and organisation of ...
In this paper we discuss the results of a survey study we conducted in the cosmopolitan city of Tama...
The music of Africa has long intrigued many Westerners. From scattered comments in the accounts of e...
Of all the arts in Africa music is perhaps the most widely spread, the most narrowly subdued, and th...
It has been estimated that some twenty million Africans have become Christians; more than the total ...
Folk music in Nigeria evolved as a corporate communal experience. It has been sustained as such, and...
This article provides a review of Western and African music. The study made a comparison of Western ...
In Ghana two new musical traditions have emerged as a result of the forces of acculturation out of w...
Nigerian musical practice can be divided into three categories for analysis: indigenous or tribal fo...
Among the Ewe-speaking people of southeastern Ghana, southern Togoland and southern Dahomey, there a...
There is hardly any aspect of life without the involvement of any of the diverse arrays of styles ex...
In this honors thesis, I examine the ways in which Ghanaian highlife, a 20th century hybrid popular ...
Music is as old as man himself. The origin of music can be looked for in natural phenomena like the ...
This is a study of the role of popular expressive culture in change in Africa. It examines musicians...
Music constitutes the bed-rock, the grass roots of popular consciousness.-Ronnie Graham ...
The specialization which the requirements of social life bring into the content and organisation of ...
In this paper we discuss the results of a survey study we conducted in the cosmopolitan city of Tama...
The music of Africa has long intrigued many Westerners. From scattered comments in the accounts of e...
Of all the arts in Africa music is perhaps the most widely spread, the most narrowly subdued, and th...
It has been estimated that some twenty million Africans have become Christians; more than the total ...
Folk music in Nigeria evolved as a corporate communal experience. It has been sustained as such, and...
This article provides a review of Western and African music. The study made a comparison of Western ...