With the end of 1958, the Library has now successfully completed its first experimental five year period. This was made possible through the generosity of various donors including the Nuffield Foundation, the Copper Mines of Northern Rhodesia, the Diamond Mines of Southern Africa, the Witwatersrand Native Labour Association, The Union Miniere du Haut Katanga, several Corporate Members including the Gold Mines of the Transvaal and Orange Free State, the South African Department of Arts and Science, Municipalities and other Industries and a number of Ordinary Members
This disc of regional documentations is recorded by Simka Arom during research carried out for the D...
In December 2002 the Swiss Society for Ethnomusicology (CH-EM), in cooperation with the Centre for A...
Two years ago, through the generosity of the Rockefeller Foundation, I was given the opportunity of ...
A most important step forward in the research into African music has been made this year by the esta...
Through the kindness and invitation of the Resident Commissioner of Swaziland, Mr. Brian Marwick, th...
The International Library for African Music (ILAM) was begun in 1954 by ethnomusicologist Hugh Trace...
The highlights of our concert activities in June 1984 were the second invitation to three former Bug...
On the 30th May 1986, Article No. 10253 in the Government Gazette stated that the Section 21 non-pro...
The “AMA” 12" Long Playing records listed below have been recorded by the Library’s field recording ...
Through the generosity of Mr. Harry Oppenheimer, who is a Life Member of the African Music Society, ...
The following memorandum has been sent to several Universities and other institutions in Africa and ...
The International Library for African Music (ILAM) was begun in 1954 by ethnomusicologist Hugh Trace...
The advent of a series of this nature is warmly to be welcomed. The selection of Swazi songs is as r...
Boris Konietzko, a dealer in African Arts and Artefacts, has spent many years travelling in Africa. ...
For many years it has been felt that one of the more important advances in African cultural affairs ...
This disc of regional documentations is recorded by Simka Arom during research carried out for the D...
In December 2002 the Swiss Society for Ethnomusicology (CH-EM), in cooperation with the Centre for A...
Two years ago, through the generosity of the Rockefeller Foundation, I was given the opportunity of ...
A most important step forward in the research into African music has been made this year by the esta...
Through the kindness and invitation of the Resident Commissioner of Swaziland, Mr. Brian Marwick, th...
The International Library for African Music (ILAM) was begun in 1954 by ethnomusicologist Hugh Trace...
The highlights of our concert activities in June 1984 were the second invitation to three former Bug...
On the 30th May 1986, Article No. 10253 in the Government Gazette stated that the Section 21 non-pro...
The “AMA” 12" Long Playing records listed below have been recorded by the Library’s field recording ...
Through the generosity of Mr. Harry Oppenheimer, who is a Life Member of the African Music Society, ...
The following memorandum has been sent to several Universities and other institutions in Africa and ...
The International Library for African Music (ILAM) was begun in 1954 by ethnomusicologist Hugh Trace...
The advent of a series of this nature is warmly to be welcomed. The selection of Swazi songs is as r...
Boris Konietzko, a dealer in African Arts and Artefacts, has spent many years travelling in Africa. ...
For many years it has been felt that one of the more important advances in African cultural affairs ...
This disc of regional documentations is recorded by Simka Arom during research carried out for the D...
In December 2002 the Swiss Society for Ethnomusicology (CH-EM), in cooperation with the Centre for A...
Two years ago, through the generosity of the Rockefeller Foundation, I was given the opportunity of ...