In Ghana two new musical traditions have emerged as a result of the forces of acculturation out of which Ghana herself has been born. The first which has developed gradually over the past sixty years or more is fairly well standardized and is popularly known by the English title of High Life, a title which reflects the early attitude of people to it as a new but somewhat insidious form of social music. Though based on gay rhythms of African foundation, it began from the inspiration of Western band music which was admired for its noisy splendour, and later the ballroom at which thoughtful Africans never looked favourably. These incorporated percussion and movement, and suggested a new line for creating a gay type of African music which would...
The music and dance culture of Dagbon, which is located in the Sudanic Savannah Belt of Northern Gha...
African music is full of life ... we have different ethnic groups, different languages and cultures,...
In this presentation we present a theoretical model of the Sahelian factor in the music and dance of...
Music constitutes the bed-rock, the grass roots of popular consciousness.-Ronnie Graham ...
This CD is published by the Swiss company Disques VDE-Gallo as part of its collaboration with Archiv...
The recreational music of the West African people is more subject to change than any other type of m...
The music-dance culture of Dagbon, in Northern Ghana, functions in symbioses with so-cial, religious...
In this honors thesis, I examine the ways in which Ghanaian highlife, a 20th century hybrid popular ...
In this paper we discuss the results of a survey study we conducted in the cosmopolitan city of Tama...
It is easy for the visitor to Accra to imagine that the activities of bands like the Tempos Band, Bl...
CREATIVE PROCESSES IN AKAN MUSIC: INNOVATIONS WITHIN TRADITIONEric Odame Beeko, Ph.D.University of P...
This paper attempts to explore the major themes and ideals asserted in popular music in Ghana and gi...
i. To understand the history of Highlife music and its various offshoots in Ghana, with regards its ...
Of all the arts in Africa music is perhaps the most widely spread, the most narrowly subdued, and th...
Local brass bands have become an indispensable factor in weddings, processions, rituals of birth or ...
The music and dance culture of Dagbon, which is located in the Sudanic Savannah Belt of Northern Gha...
African music is full of life ... we have different ethnic groups, different languages and cultures,...
In this presentation we present a theoretical model of the Sahelian factor in the music and dance of...
Music constitutes the bed-rock, the grass roots of popular consciousness.-Ronnie Graham ...
This CD is published by the Swiss company Disques VDE-Gallo as part of its collaboration with Archiv...
The recreational music of the West African people is more subject to change than any other type of m...
The music-dance culture of Dagbon, in Northern Ghana, functions in symbioses with so-cial, religious...
In this honors thesis, I examine the ways in which Ghanaian highlife, a 20th century hybrid popular ...
In this paper we discuss the results of a survey study we conducted in the cosmopolitan city of Tama...
It is easy for the visitor to Accra to imagine that the activities of bands like the Tempos Band, Bl...
CREATIVE PROCESSES IN AKAN MUSIC: INNOVATIONS WITHIN TRADITIONEric Odame Beeko, Ph.D.University of P...
This paper attempts to explore the major themes and ideals asserted in popular music in Ghana and gi...
i. To understand the history of Highlife music and its various offshoots in Ghana, with regards its ...
Of all the arts in Africa music is perhaps the most widely spread, the most narrowly subdued, and th...
Local brass bands have become an indispensable factor in weddings, processions, rituals of birth or ...
The music and dance culture of Dagbon, which is located in the Sudanic Savannah Belt of Northern Gha...
African music is full of life ... we have different ethnic groups, different languages and cultures,...
In this presentation we present a theoretical model of the Sahelian factor in the music and dance of...