In an article on African Music written in 1928, Hornbostel offered an explanation of certain features of African rhythms which may puzzle Western ears. Until Hornbostel’s theory has been hammered out and proved true or false—or perhaps true and false, according to its application in different parts of Africa—accurate research into African music is seriously impeded
This essay is an appeal to scholars of various disciplines to bring their knowledge to bear on a the...
The rhythm systems in traditional Xhosa music have long baffled musicologists. When the author began...
The music of Africa is so different from our own music that we are unable to appreciate it until we ...
The music of Africa has long intrigued many Westerners. From scattered comments in the accounts of e...
The heart of an African rhythm is the timeline, a beat that cyclically repeats thoughout a piece, a...
Many people have thought that the most exciting aspect of music from Africa is its rhythmic complexi...
This article provides a review of Western and African music. The study made a comparison of Western ...
The theories propounded by Heinrich Schenker, the great early 20th Century German theorist, as enunc...
Of all the arts in Africa music is perhaps the most widely spread, the most narrowly subdued, and th...
African composers take advantage in a marvellous way of a psycho-acoustic fact. The human ear - like...
There are many aspects shared by traditional African music: movement of the body through dance when ...
This paper explores a model for the analysis of rhythm in music, based on theories drawn from the We...
A continuation of the theory published in the previous edition of African Music, pages 29-34, and pa...
There are many aspects shared by traditional African music: movement of the body through dance when ...
From the practitioner’s perspective, the study of African music seems misaligned with the enterprise...
This essay is an appeal to scholars of various disciplines to bring their knowledge to bear on a the...
The rhythm systems in traditional Xhosa music have long baffled musicologists. When the author began...
The music of Africa is so different from our own music that we are unable to appreciate it until we ...
The music of Africa has long intrigued many Westerners. From scattered comments in the accounts of e...
The heart of an African rhythm is the timeline, a beat that cyclically repeats thoughout a piece, a...
Many people have thought that the most exciting aspect of music from Africa is its rhythmic complexi...
This article provides a review of Western and African music. The study made a comparison of Western ...
The theories propounded by Heinrich Schenker, the great early 20th Century German theorist, as enunc...
Of all the arts in Africa music is perhaps the most widely spread, the most narrowly subdued, and th...
African composers take advantage in a marvellous way of a psycho-acoustic fact. The human ear - like...
There are many aspects shared by traditional African music: movement of the body through dance when ...
This paper explores a model for the analysis of rhythm in music, based on theories drawn from the We...
A continuation of the theory published in the previous edition of African Music, pages 29-34, and pa...
There are many aspects shared by traditional African music: movement of the body through dance when ...
From the practitioner’s perspective, the study of African music seems misaligned with the enterprise...
This essay is an appeal to scholars of various disciplines to bring their knowledge to bear on a the...
The rhythm systems in traditional Xhosa music have long baffled musicologists. When the author began...
The music of Africa is so different from our own music that we are unable to appreciate it until we ...