Blind drawing is an exercise based in phenomenological and experiential pedagogy which I do with students in every architecture design Studio I teach no matter the year level of their education. It is drawing blindfolded with charcoal and dry pastel on large sheets of paper using a guided conversation to evoke sensory experiences and abstract thought. It is a transformative exercise that changes students’ perceptions of drawing, image-making, representation of concepts, and offers alternatives to how architecture design Studio can perform. Removing outward-looking visual connections turns the students’ attention to inward perception and the imagination. These poetic drawings are embodied energy drawn out from the subconscious. This style of...
Drawing is a process by which the mind commits itself to ideas that can only be expressed visually, ...
One of the main problems faced by blind learners is lack of drawing technologies that support images...
\u3cp\u3eTeaching drawing in architectural education raises questions regarding the representation o...
This thesis exhibits the visual medium of architectural representation destabilized and reinterprete...
In the recent experimental study: "The architect's brain and the thinking hand" [1], the differences...
This paper focuses on a questioning of ‘experiential blindness’ in architectural education today, an...
We start designing working and thinking with our hands. With them, we can shape an external object f...
Drawing as an activity aids problem solving, collaboration, and presentation in design, science, and...
An architectural student is taught how to draw with orthographic techniques but can they explore ide...
In the recent experimental study: "The architect's brain and the thinking hand", the differences in ...
The difficulty of teaching drawing during the first college stage, in visual arts, is clearly labori...
Our entry will revolve around our curricular explorations to redefine drawing and drawing classes wi...
This paper considers the connection between two essential facets of architecture: place and drawing....
The purpose of this paper is to provide a platform for investigating the relationship between the st...
The capacity to engage with information held in drawings is vital to the study of architecture. For ...
Drawing is a process by which the mind commits itself to ideas that can only be expressed visually, ...
One of the main problems faced by blind learners is lack of drawing technologies that support images...
\u3cp\u3eTeaching drawing in architectural education raises questions regarding the representation o...
This thesis exhibits the visual medium of architectural representation destabilized and reinterprete...
In the recent experimental study: "The architect's brain and the thinking hand" [1], the differences...
This paper focuses on a questioning of ‘experiential blindness’ in architectural education today, an...
We start designing working and thinking with our hands. With them, we can shape an external object f...
Drawing as an activity aids problem solving, collaboration, and presentation in design, science, and...
An architectural student is taught how to draw with orthographic techniques but can they explore ide...
In the recent experimental study: "The architect's brain and the thinking hand", the differences in ...
The difficulty of teaching drawing during the first college stage, in visual arts, is clearly labori...
Our entry will revolve around our curricular explorations to redefine drawing and drawing classes wi...
This paper considers the connection between two essential facets of architecture: place and drawing....
The purpose of this paper is to provide a platform for investigating the relationship between the st...
The capacity to engage with information held in drawings is vital to the study of architecture. For ...
Drawing is a process by which the mind commits itself to ideas that can only be expressed visually, ...
One of the main problems faced by blind learners is lack of drawing technologies that support images...
\u3cp\u3eTeaching drawing in architectural education raises questions regarding the representation o...