My title, "Re-Weaving the Word-Web," refers to the ongoing effort to reconstruct earlier states of language. The word-web in question is that of sound and semantic associations in either prose or poetry. Today we have a much better idea how Chaucer may have pronounced his words than Dryden did, for example. However, we do not have recordings of the actual speech - such as those made by Tennyson, Browning, and others in the nineteenth century - with which to guide our re-weaving of marks on the manuscript page that are the suggestions of sounds into knowledge of how to produce those sounds
Repeated sound sequences in language occur all the time, but we reliably notice them in popular poet...
This paper will discuss the motivations and challenges of creating a database of poetic form based o...
This thesis attempts to provide an insight into how rhyming devices and rhyme forms have been used i...
My title, "Re-Weaving the Word-Web," refers to the ongoing effort to reconstruct earlier states of l...
How much can we infer about the pronunciation of a language – past or present – by observing which w...
Our project—the Graph Poem (#GraphPoem)—focuses on poetry as a genre with the purpose to automate th...
In this article I posit a pragmatic model of how sound-patterning in poetry contributes to interpret...
In this essay I provide a comprehensive cognitive view of rhyme, one of the most powerful resources ...
Rhyme as a major form of sound parallelism is found widely in the verbal arts of the world. After be...
How many rhymes are possible in English? How much alliteration or assonance? This paper explores the...
Alliteration and Anglo-Norman influenced end-rhyme were vigorous, alternative, vernacular verse-form...
Compasses is a collection of minimalist neologistic poems produced with a machine learning model of...
Rhyme is a relevant structural element in many poetic forms. Besides its aesthetic and musical funct...
Thesis: Ph. D. in Linguistics, Massachusetts Institute of Technology, Department of Linguistics and ...
The conventional hypothesis of Old English poetic composition assumed that poets used a limited numb...
Repeated sound sequences in language occur all the time, but we reliably notice them in popular poet...
This paper will discuss the motivations and challenges of creating a database of poetic form based o...
This thesis attempts to provide an insight into how rhyming devices and rhyme forms have been used i...
My title, "Re-Weaving the Word-Web," refers to the ongoing effort to reconstruct earlier states of l...
How much can we infer about the pronunciation of a language – past or present – by observing which w...
Our project—the Graph Poem (#GraphPoem)—focuses on poetry as a genre with the purpose to automate th...
In this article I posit a pragmatic model of how sound-patterning in poetry contributes to interpret...
In this essay I provide a comprehensive cognitive view of rhyme, one of the most powerful resources ...
Rhyme as a major form of sound parallelism is found widely in the verbal arts of the world. After be...
How many rhymes are possible in English? How much alliteration or assonance? This paper explores the...
Alliteration and Anglo-Norman influenced end-rhyme were vigorous, alternative, vernacular verse-form...
Compasses is a collection of minimalist neologistic poems produced with a machine learning model of...
Rhyme is a relevant structural element in many poetic forms. Besides its aesthetic and musical funct...
Thesis: Ph. D. in Linguistics, Massachusetts Institute of Technology, Department of Linguistics and ...
The conventional hypothesis of Old English poetic composition assumed that poets used a limited numb...
Repeated sound sequences in language occur all the time, but we reliably notice them in popular poet...
This paper will discuss the motivations and challenges of creating a database of poetic form based o...
This thesis attempts to provide an insight into how rhyming devices and rhyme forms have been used i...