The paper considers the world within that Stead brought to her first novel, made up from a wide range of reading, and interaction with left intellectuals. bohemians and political activists in Sydney from during the First World War to the end of the 1920s
Readers and scholars routinely recognise a certain unpleasant and repellent quality in the fiction o...
In Seven Poor Men of Sydney (1934), Christina Stead evokes the city’s history in her naming of the T...
Christina Stead’s For love alone is an iconic text in Australian literary studies, but until now, fe...
Christina Stead left Australia in 1928 and embraced Marxist-Leninism as the trans-Atlantic stock and...
Christina Stead (1902–1983) was an Australian novelist and short-story writer acclaimed for her sati...
When Christina Stead's Seven Poor Men of Sydney appeared in 1934 the dominant themes of Australian w...
The paper explores the apparent disjunction between 'realism' and the 'poetic' in Christina Stead's ...
This essay analyzes how the literary modes of realism and modernism coexist and interact in Christin...
The article compares William Lane's Workingman's Paradise (1892) and Christina Stead's Seven Poor ...
Christina Stead is a modernist whose life and art are profoundly informed by socialism. Chapter I de...
This paper will examine the ultimately incommensurable divide between the listening ear and speaking...
The paper argues that Seven Poor Men of Sydney tries to project into the space that is Australia a ...
Christina Stead was one of the great Australian writers of the twentieth century. After a revived in...
The fiction of Christina Stead (1902-83) is at last receiving something of its proper recognition af...
[Extract]Christina Stead was, as Jose Yglesias rightly highlighted in 1965, a product of the 1930s-i...
Readers and scholars routinely recognise a certain unpleasant and repellent quality in the fiction o...
In Seven Poor Men of Sydney (1934), Christina Stead evokes the city’s history in her naming of the T...
Christina Stead’s For love alone is an iconic text in Australian literary studies, but until now, fe...
Christina Stead left Australia in 1928 and embraced Marxist-Leninism as the trans-Atlantic stock and...
Christina Stead (1902–1983) was an Australian novelist and short-story writer acclaimed for her sati...
When Christina Stead's Seven Poor Men of Sydney appeared in 1934 the dominant themes of Australian w...
The paper explores the apparent disjunction between 'realism' and the 'poetic' in Christina Stead's ...
This essay analyzes how the literary modes of realism and modernism coexist and interact in Christin...
The article compares William Lane's Workingman's Paradise (1892) and Christina Stead's Seven Poor ...
Christina Stead is a modernist whose life and art are profoundly informed by socialism. Chapter I de...
This paper will examine the ultimately incommensurable divide between the listening ear and speaking...
The paper argues that Seven Poor Men of Sydney tries to project into the space that is Australia a ...
Christina Stead was one of the great Australian writers of the twentieth century. After a revived in...
The fiction of Christina Stead (1902-83) is at last receiving something of its proper recognition af...
[Extract]Christina Stead was, as Jose Yglesias rightly highlighted in 1965, a product of the 1930s-i...
Readers and scholars routinely recognise a certain unpleasant and repellent quality in the fiction o...
In Seven Poor Men of Sydney (1934), Christina Stead evokes the city’s history in her naming of the T...
Christina Stead’s For love alone is an iconic text in Australian literary studies, but until now, fe...