Add to ORKGKatharine Brisbane, Not Wrong - Just Different: Observations on the Rise of Contemporary Australian Theatr
Roger McDonald's first two novels offer an interesting case study of an emerging Australian writer i...
This brief paper is a response to a piece by Debra Beattie of Griffith University, ‘The Distribution...
Within contemporary performance arenas young people and companies who develop work for them are a vi...
In 1967 Brisbane Repertory Theatre made a decision that was to change the city’s cultural landscape ...
This volume offers an extremely valuable collection of nine nineteenth-century plays whose content e...
This brief history was requested by La Boite Theatre Company and completed in February 2007. As a se...
The Australian theatre in the late nineteenth century was in transition: it was, like the country, s...
In this article I briefly examine three productions of Medea that reflect some of the dominant respo...
In contemporary Australian theatre there seems to be no precise, universally accepted methodology th...
From the first recorded colonial performance, on board the First Fleet ship Scarborough, to the twen...
Jessie Matthews’ post-war tours to Australia were part of a sequence of commercially successful impo...
Reflecting on what he saw as the paltry local offerings in the 1969 Australian theatre season for Th...
This study focuses on trends in contemporary Australian playwrighting, discussing recent investigati...
The revival in cultural nationalism suggested by current debates about Australian history and litera...
A Review of Julian Meyrick's history of Australian playwrighting, published by Currency Press. 'Aust...
Roger McDonald's first two novels offer an interesting case study of an emerging Australian writer i...
This brief paper is a response to a piece by Debra Beattie of Griffith University, ‘The Distribution...
Within contemporary performance arenas young people and companies who develop work for them are a vi...
In 1967 Brisbane Repertory Theatre made a decision that was to change the city’s cultural landscape ...
This volume offers an extremely valuable collection of nine nineteenth-century plays whose content e...
This brief history was requested by La Boite Theatre Company and completed in February 2007. As a se...
The Australian theatre in the late nineteenth century was in transition: it was, like the country, s...
In this article I briefly examine three productions of Medea that reflect some of the dominant respo...
In contemporary Australian theatre there seems to be no precise, universally accepted methodology th...
From the first recorded colonial performance, on board the First Fleet ship Scarborough, to the twen...
Jessie Matthews’ post-war tours to Australia were part of a sequence of commercially successful impo...
Reflecting on what he saw as the paltry local offerings in the 1969 Australian theatre season for Th...
This study focuses on trends in contemporary Australian playwrighting, discussing recent investigati...
The revival in cultural nationalism suggested by current debates about Australian history and litera...
A Review of Julian Meyrick's history of Australian playwrighting, published by Currency Press. 'Aust...
Roger McDonald's first two novels offer an interesting case study of an emerging Australian writer i...
This brief paper is a response to a piece by Debra Beattie of Griffith University, ‘The Distribution...
Within contemporary performance arenas young people and companies who develop work for them are a vi...