This paper reevaluates the work of late Australian poet Philip Hodgins (1959-1995) in the context of related inquiries into the work of other late poets Jennifer Rankin and John Anderson. The emphasis is on Hodgins's 'landspeak', or the unusual capacities for his lines to both delimit Australian country and to leave open the potential for what is unknown and/or unseen. This relates to tropes of provincialism and of geopoetics in other Australian poetry. The paper argues that, despite the apparent conservatism of his poetics, Hodgins's work actually interrogates the foundations of colonial Australian places
In Part Two of Man Alone John Mulgan describes a farm in the fen country of Northamptonshire: “Poets...
A ground-breaking study of nineteenth-century British colonial poetry.Imagined Homelands chronicles ...
This article discusses the process of editing The Australian Book of the Road. It uses William Hay’...
Les Murray and Judith Wright are two Australian poets who are widely read as landscape poets.\ud Whi...
In "Envoi", an early poem published in the Jindyworobak Anthology in 1940, James McAuley addressed h...
This essay argues that Martin Harrison's "Red Gum" (1997) showcases a phenomenological approach to n...
Paper by Judith Wright delivered at the Australian Literature Seminar, University of New England Ext...
© 2012 Dr. Michael FarrellThis is a thesis that takes the notion of ‘unsettlement’ in opposition to ...
This paper explores the way silence has been defined and redefined as a means of describing the Aust...
As Troy Bramston writes, ‘By the end of 1992, [Paul] Keating had asked Australians to think about th...
The paper argues that Paul Carter has outlined the psychic constitution of 'Australia' but not fully...
[T]he mind and the terrain shape each other: every landscape is a landscape of desire to some degree...
There is a strong, though not uncontested view, that a tradition of ‘place’ or ‘nature’ writing has,...
This article discusses the process of editing The Australian Book of the Road. It uses William Hays ...
The article surveys Australian poets and composers from Barron Field and Henry Handel Richardson to ...
In Part Two of Man Alone John Mulgan describes a farm in the fen country of Northamptonshire: “Poets...
A ground-breaking study of nineteenth-century British colonial poetry.Imagined Homelands chronicles ...
This article discusses the process of editing The Australian Book of the Road. It uses William Hay’...
Les Murray and Judith Wright are two Australian poets who are widely read as landscape poets.\ud Whi...
In "Envoi", an early poem published in the Jindyworobak Anthology in 1940, James McAuley addressed h...
This essay argues that Martin Harrison's "Red Gum" (1997) showcases a phenomenological approach to n...
Paper by Judith Wright delivered at the Australian Literature Seminar, University of New England Ext...
© 2012 Dr. Michael FarrellThis is a thesis that takes the notion of ‘unsettlement’ in opposition to ...
This paper explores the way silence has been defined and redefined as a means of describing the Aust...
As Troy Bramston writes, ‘By the end of 1992, [Paul] Keating had asked Australians to think about th...
The paper argues that Paul Carter has outlined the psychic constitution of 'Australia' but not fully...
[T]he mind and the terrain shape each other: every landscape is a landscape of desire to some degree...
There is a strong, though not uncontested view, that a tradition of ‘place’ or ‘nature’ writing has,...
This article discusses the process of editing The Australian Book of the Road. It uses William Hays ...
The article surveys Australian poets and composers from Barron Field and Henry Handel Richardson to ...
In Part Two of Man Alone John Mulgan describes a farm in the fen country of Northamptonshire: “Poets...
A ground-breaking study of nineteenth-century British colonial poetry.Imagined Homelands chronicles ...
This article discusses the process of editing The Australian Book of the Road. It uses William Hay’...