Add to ORKGNot all the ‘forms, moods, shapes of grief’ can denote Hamlet truly (or so he insists) ‘for these are actions that a man might play’. This article looks at the pun on acting that is verbally and conceptually focal to Shakespeare’s 'Hamlet', starting with the fascination with Hamlet the character manifest in the nineteenth century – when the play became the central text, not just of the Shakespeare canon, but of modernity itself – and ending with speculation about Hamlet’s emotional and ideological paternity
This essay considers the use of Shakespeare as marker of authenticity and as a therapeutic space for...
Substantial, conspicuous, and varied pieces of evidence demonstrate that Shakespeare designed the \u...
The article deals the possibility of applying Vladimir Propp’s, basically anthropological idea of “t...
Not all the ‘forms, moods, shapes of grief’ can denote Hamlet truly (or so he insists) ‘for these ar...
This essay examines ambiguities in Hamlet and argues that wordplay represents the nature of Hamlet's...
From The Murder of Gonzago to Hamlet's pretence of madness, Hamlet is a work obsessed with acting an...
This article argues that Hamlet’s tragedy shows the idiosyncratic intervention of the law in the cre...
It is unfortunate that one of the scenes most often cut from contemporary productions of Hamlet is...
Shakespeare’s Hamlet is famous for its attempt to adumbrate an inward passion that transcends outwar...
Throughout Hamlet, the hero shows a persistent fascination with art. Daalder discusses how Hamlet's ...
he title quotation is attributed by Thomas Middleton to one of the shallower characters in his Reven...
Tragedy is a category of play. But was it, in Shakespeare’s time, a method of acting too? This artic...
Due to the character of the original source materials and the nature of batch digitization, quality ...
If the title of this essay looks vaguely familiar, that is as it should be. It echoes, with delibera...
In this paper, the author explores the correlation between suicide, gender, and agency in the play H...
This essay considers the use of Shakespeare as marker of authenticity and as a therapeutic space for...
Substantial, conspicuous, and varied pieces of evidence demonstrate that Shakespeare designed the \u...
The article deals the possibility of applying Vladimir Propp’s, basically anthropological idea of “t...
Not all the ‘forms, moods, shapes of grief’ can denote Hamlet truly (or so he insists) ‘for these ar...
This essay examines ambiguities in Hamlet and argues that wordplay represents the nature of Hamlet's...
From The Murder of Gonzago to Hamlet's pretence of madness, Hamlet is a work obsessed with acting an...
This article argues that Hamlet’s tragedy shows the idiosyncratic intervention of the law in the cre...
It is unfortunate that one of the scenes most often cut from contemporary productions of Hamlet is...
Shakespeare’s Hamlet is famous for its attempt to adumbrate an inward passion that transcends outwar...
Throughout Hamlet, the hero shows a persistent fascination with art. Daalder discusses how Hamlet's ...
he title quotation is attributed by Thomas Middleton to one of the shallower characters in his Reven...
Tragedy is a category of play. But was it, in Shakespeare’s time, a method of acting too? This artic...
Due to the character of the original source materials and the nature of batch digitization, quality ...
If the title of this essay looks vaguely familiar, that is as it should be. It echoes, with delibera...
In this paper, the author explores the correlation between suicide, gender, and agency in the play H...
This essay considers the use of Shakespeare as marker of authenticity and as a therapeutic space for...
Substantial, conspicuous, and varied pieces of evidence demonstrate that Shakespeare designed the \u...
The article deals the possibility of applying Vladimir Propp’s, basically anthropological idea of “t...