Auteur Description The article outlines a new type of audio description: auteur description, which aims to immerse the blind and partially sighted audience into the story world created by the auteur-director, as presented in the screenplay. Two fi lms: Volver by Pedro Almodóvar and Dzień Świra (The Day of the Wacko) by Marek Koterski, are used to highlight the main features of auteur description: the use of metaphors, emotional and marked language, subjective descriptions, all based on the screenplay text
Mise-en-abîme discourse reveals itself most clearly in 2 films by Andrzej Wajda – Everything for sal...
Great semantic figures in filmThis study is devoted to the key issue for any research on film, film ...
Great semantic figures in filmThis study is devoted to the key issue for any research on film, film ...
Audio Introduction as a Supplementary Tool in AD The paper presents a novel solution that aims to su...
The End Justifi es the Means of Audio Description Audio description to fi lms is about understanding...
Audio description involves recounting (without interpretation and commentary) what is happening, for...
The article tackles the issue of pragmatic qualities of an audiovisual text. By recourse to an anim...
Poland, a country of short audio description (AD) tradition, faces two major problems as far as AD i...
In this article I try to interpret the music aspect of Krzysztof Kieslowski’s famous movie The Doubl...
Looking into the Past, Looking into the Future – 10 Years of Film Audio Description in Poland This ...
Dichotomy between visual and acoustic culture is fiction and as a result of that thinking, we can fi...
The National Film Board of Canada is a federal cultural agency that has participated in the wider di...
The paper discusses Paul Ricoeur’s theory of translating, which is presented in three short texts pu...
The authors of the “Kino epoki nowofalowej” [“Cinema of the New Wave Era”], third volume of the “His...
Poland, a country of short audio description (AD) tradition, faces two mayor problems as far as AD i...
Mise-en-abîme discourse reveals itself most clearly in 2 films by Andrzej Wajda – Everything for sal...
Great semantic figures in filmThis study is devoted to the key issue for any research on film, film ...
Great semantic figures in filmThis study is devoted to the key issue for any research on film, film ...
Audio Introduction as a Supplementary Tool in AD The paper presents a novel solution that aims to su...
The End Justifi es the Means of Audio Description Audio description to fi lms is about understanding...
Audio description involves recounting (without interpretation and commentary) what is happening, for...
The article tackles the issue of pragmatic qualities of an audiovisual text. By recourse to an anim...
Poland, a country of short audio description (AD) tradition, faces two major problems as far as AD i...
In this article I try to interpret the music aspect of Krzysztof Kieslowski’s famous movie The Doubl...
Looking into the Past, Looking into the Future – 10 Years of Film Audio Description in Poland This ...
Dichotomy between visual and acoustic culture is fiction and as a result of that thinking, we can fi...
The National Film Board of Canada is a federal cultural agency that has participated in the wider di...
The paper discusses Paul Ricoeur’s theory of translating, which is presented in three short texts pu...
The authors of the “Kino epoki nowofalowej” [“Cinema of the New Wave Era”], third volume of the “His...
Poland, a country of short audio description (AD) tradition, faces two mayor problems as far as AD i...
Mise-en-abîme discourse reveals itself most clearly in 2 films by Andrzej Wajda – Everything for sal...
Great semantic figures in filmThis study is devoted to the key issue for any research on film, film ...
Great semantic figures in filmThis study is devoted to the key issue for any research on film, film ...