Il presente articolo ha come obiettivo presentare il tema del potere sviluppato da Pier PaoloPasolini nel suo dramma Calderón. Nella mia analisi mi concentro soprattutto sulle diverse formeche il potere assume nel testo pasoliniano. Mi occupo delle relazioni tra diversi personaggipresentati e cerco di stabilire quale sia la fonte del potere nei singoli casi nonché in che modoesso si manifesti.La mia attenzione va soprattutto al personaggio di Basilio che accentra nelle sue manidiversi tipi del potere: quello del Padre, del Marito e del Re. Questo personaggio rispecchia diversilivelli su cui si manifesta il potere – dalla famiglia allo Stato. Un altro problema che vieneda me esaminato è legato al corpo come strumento di controllo da parte de...
(Non)typical Role of the Ancient Greek Tragedies’ Translator Ancient Greek tragedies were written b...
The adaptations of industrial halls, power stations, boiler houses or mines into cultural spaces are...
The starting point of the article is a reconstruction of Hegel’s reflections on comedy contained in ...
La definizione del “teatro popolare” rappresenta una sfida per gli studi comparati italo‑polacchi di...
Televisions Play with Pirandello Abstract In the beginning of 1960s, the Polish press witnessed a ...
Pozwolę sobie zacząć od następującego cytatu: „To na USB, w Wilnie, narodziła się nowa teatrologia (...
For the representatives of Victor Hugo’s Red Salon, growing up in the shade of Corneille and Racine,...
Le traduzioni italiane in Polonia dal Cinquecento al Settecento in prospettiva comparata La problema...
This essay is an analysis and interpretation of Bohdan Korzeniewski’s June 1963 staging of Forefathe...
The theatricality of plays by Jon Fosse, a Norwegian playwright who delighted the European theatre ...
This article presents and analyzes the potential criticism contained in science fiction’s dystopian ...
Searching for the solution of the audience scene giving the widest possibilities of arrangement, was...
The idea of the viewer’s emancipation in theatre is gaining on popularity. Artists make use of the ...
Tadeusz Kudliński remained in the memory of Cracovians, above all, as a theatre critic and the autho...
Prometheus Bound by Aeschylus, translated by Professor Stefan Srebrny, was the foundation for the P...
(Non)typical Role of the Ancient Greek Tragedies’ Translator Ancient Greek tragedies were written b...
The adaptations of industrial halls, power stations, boiler houses or mines into cultural spaces are...
The starting point of the article is a reconstruction of Hegel’s reflections on comedy contained in ...
La definizione del “teatro popolare” rappresenta una sfida per gli studi comparati italo‑polacchi di...
Televisions Play with Pirandello Abstract In the beginning of 1960s, the Polish press witnessed a ...
Pozwolę sobie zacząć od następującego cytatu: „To na USB, w Wilnie, narodziła się nowa teatrologia (...
For the representatives of Victor Hugo’s Red Salon, growing up in the shade of Corneille and Racine,...
Le traduzioni italiane in Polonia dal Cinquecento al Settecento in prospettiva comparata La problema...
This essay is an analysis and interpretation of Bohdan Korzeniewski’s June 1963 staging of Forefathe...
The theatricality of plays by Jon Fosse, a Norwegian playwright who delighted the European theatre ...
This article presents and analyzes the potential criticism contained in science fiction’s dystopian ...
Searching for the solution of the audience scene giving the widest possibilities of arrangement, was...
The idea of the viewer’s emancipation in theatre is gaining on popularity. Artists make use of the ...
Tadeusz Kudliński remained in the memory of Cracovians, above all, as a theatre critic and the autho...
Prometheus Bound by Aeschylus, translated by Professor Stefan Srebrny, was the foundation for the P...
(Non)typical Role of the Ancient Greek Tragedies’ Translator Ancient Greek tragedies were written b...
The adaptations of industrial halls, power stations, boiler houses or mines into cultural spaces are...
The starting point of the article is a reconstruction of Hegel’s reflections on comedy contained in ...