The Olympic movie "Fest der Voelker" (directed by Leni Riefenstahl) was released in June 1940 in Japan. Comments on this movie appeared in magazines from May to July 1940. Although it was before the unification of all movie magazines into one government-controlled publication, most comments were written from the viewpoint of nationalism. But, a few were not. Of the ones that were not, some distanced themselves from nationalism and some referred to the beauty of the human body. However in that age of militarism when the nation was paying particular attention to people\u27s physique, human beauty was simply a manifestation of nationalism itself. Therefore even comments referring to human beauty fell within the frame of nationalism. This was m...
The main question discussed in the article is the unequal treatment of two propaganda film creators:...
T. Litt (1880-1962) war die alteren Vertreter der Geisteswissenschaftlichen Padagogik. Er hat 1937 n...
International audienceMadame du Barry war der erste deutsche Film, den das Publikum in den USA sehen...
Ausdruckstanz and the theme of athleticism is seen and symbolically placed in Leni Riefenstahl’s Oly...
Das Ziel der vorliegenden Diplomarbeit war es, das von Leni Riefenstahl in „Olympia“ (1938) inszenie...
The aim of this paper is to analyse a sports movie "Chariots of Fire" from a viewpoint of nationalis...
International audienceIm Gegensatz zu festgefahrenen Vorurteilen ist der Film "Das blaue Licht" (Le...
Despite Hitler’s efforts to transform Berlin into Germania, the capital of the new world he envision...
International audienceIm Gegensatz zu festgefahrenen Vorurteilen ist der Film "Das blaue Licht" (Le...
International audienceIm Gegensatz zu festgefahrenen Vorurteilen ist der Film "Das blaue Licht" (Le...
Fra il 1934 e il 1940, nella Germania nazista a Leni Riefenstahl viene indirettamente affidato il co...
Fra il 1934 e il 1940, nella Germania nazista a Leni Riefenstahl viene indirettamente affidato il co...
The digital evolution in the film industry has opened possibilities that was only to blockbusters be...
Die vorliegende Arbeit beschäftigt sich mit der Pressepropaganda des Dritten Reiches. Exemplarisch w...
Public discourse around the Nazi regime is typically surrounded by its doctrine of hatred and violen...
The main question discussed in the article is the unequal treatment of two propaganda film creators:...
T. Litt (1880-1962) war die alteren Vertreter der Geisteswissenschaftlichen Padagogik. Er hat 1937 n...
International audienceMadame du Barry war der erste deutsche Film, den das Publikum in den USA sehen...
Ausdruckstanz and the theme of athleticism is seen and symbolically placed in Leni Riefenstahl’s Oly...
Das Ziel der vorliegenden Diplomarbeit war es, das von Leni Riefenstahl in „Olympia“ (1938) inszenie...
The aim of this paper is to analyse a sports movie "Chariots of Fire" from a viewpoint of nationalis...
International audienceIm Gegensatz zu festgefahrenen Vorurteilen ist der Film "Das blaue Licht" (Le...
Despite Hitler’s efforts to transform Berlin into Germania, the capital of the new world he envision...
International audienceIm Gegensatz zu festgefahrenen Vorurteilen ist der Film "Das blaue Licht" (Le...
International audienceIm Gegensatz zu festgefahrenen Vorurteilen ist der Film "Das blaue Licht" (Le...
Fra il 1934 e il 1940, nella Germania nazista a Leni Riefenstahl viene indirettamente affidato il co...
Fra il 1934 e il 1940, nella Germania nazista a Leni Riefenstahl viene indirettamente affidato il co...
The digital evolution in the film industry has opened possibilities that was only to blockbusters be...
Die vorliegende Arbeit beschäftigt sich mit der Pressepropaganda des Dritten Reiches. Exemplarisch w...
Public discourse around the Nazi regime is typically surrounded by its doctrine of hatred and violen...
The main question discussed in the article is the unequal treatment of two propaganda film creators:...
T. Litt (1880-1962) war die alteren Vertreter der Geisteswissenschaftlichen Padagogik. Er hat 1937 n...
International audienceMadame du Barry war der erste deutsche Film, den das Publikum in den USA sehen...